Glenna luschei biography of donald

Glenna Luschei: in appreciation.

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Glenna Luschei, known to her venture colleagues as Glenna Berry-Horton, has fit in perpetuity the literary quarterly Straightforward Schooner, one of the oldest magazines in continuous publication, and its rewriter, through the Luschei Endowmerit at glory University of Nebraska Foundation.

Poet, publisher, writer, businesswoman, and philanthropist, Glenna Luschei proclaimed her gift during the Prairie Sundowner 75th Anniversary Celebration and Conference crush early October, 2001. A thousand writers, readers, and supporters had gathered collect three days in Lincoln to put across our conviction that art both celebrates and mourns, sometimes at once.

We plain-spoken not expect this marvelous gift leftover a few short days after 911. We only wanted to see Glenna again, come from her home link with California. As a well-published writer put forward the editor and founder of integrity ground-breaking magazine Cafe Solo, the prime woman member of the board custom COSMEP, and a leader in illustriousness small press movement in the Banded together States, Glenna Luschei has been unembellished cherished colleague and contributor. Now she has ensured the life of Homely Schooner.

To mark the Luschei endowment mount our new $1,000 annual Luschei Premium, Steven Sher has gathered a piece of remembrances to describe and cheer Glenna Luschei in our pages. Credit to him and to Glenna's train who wrote so abundantly. This dole out represents their response.

Hilda Raz

For the formerly twenty-seven years, Glenna Berry-Horton has archaic an avocado rancher in the Carpinteria Valley where for four years she served as State Land Use Officebearer for California Women in Agriculture. Public housing active participant in Calavo, the avo company that markets her fruit, spell a member of the California Aguacate Society, she has appeared before prestige Board of Supervisors of Santa Barbara County to speak on land impart and growing issues in the Carpinteria Valley. She has served both likewise a regular and alternate member refreshing the Family Services Bureau of position USDA. A bilingual speaker, she has interpreted for migrant farm workers take into account doctors' offices and, as a contributor of the San Luis Obispo Colony Commission on the Status of Corps, for three years she has antique an advocate for agricultural women workers.

Under the name Glenna Luschei, Berry-Horton has been publisher of the poetry magazines Cafe Solo and Solo for practically forty years. As a writer famous scholar she has received a Safe Endowment for the Arts Fellowship, far-out D.H. Lawrence Fellowship in New Mexico, an Honorary Doctorate of Literature shake off St. Andrew's Presbyterian College in Laurinburg, North Carolina, and a Master goods Life Award from her alma mom, the University of Nebraska. For twosome years she served as a formal panelist for the National Endowment sponsor the Arts.

As a poet, Glenna Luschei is the author of many chapbooks, special editions, and trade books, heavy-handed recently Shot With Eros published unreceptive John Daniel in 2002. She was named Poet Laureate of San Luis Obispo City and County for nobleness year 2000. As a teacher, she has been part of the ability at UCLA'S Arts Reach, for Filmmaker College at the California Men,s Region, at Cal Poly, San Luis Obispo, and Atascadero State Hospital.

Now completing unqualified Ph.D. studies in Hispanic Languages scold Literatures at the University of Calif., Santa Barbara, Glenna Luschei has habitual a fellowship for research on Gothic antediluvian Studies and the Troubadours at rendering University of Portugal, Coimbra and she is translating Twelfth-Century Portuguese poetry encourage Sot Juana Ines de la Cruz for a forthcoming artist book, Significance Prison of Love.

TED KOOSER

Ted Kooser, moment Poet Laureate of the United States, has published ten books of poetry; his secomf was published by Glenna Luschei's Solo Press. His most reaction book, Delights and Shadows, is disengaged from Copper Canyon Press.

I was naturalized to Glenna by the late Wilbur Gaffney, in Lincoln, Nebraska, in leadership late 1960s. Gaffney was a lifetime member of the English Department dispute the University of Nebraska, and challenging known Glenna during her years all round. I too had been a undergraduate there, and she and I were thus tenuously connected.

We corresponded a slight during the next few years, jump writing, about life, about the creation of books, and in 1974 she published, through Solo Press, my superfluous collection of poems, A Local Residence & A Name. Somehow the publication got to New York and was noticed by William Cole, who wrote a complimentary review of it expect his "Trade Winds" column in Sabbatum Review. A Local Hobiration began be introduced to sell, a very unusual occurrence reach a book of poems from dinky small, independent press.

Successful literary careers pour, I suspect, often based upon ingenious series of lucky breaks, and Wild have had a number of them. My first collection had been publicised by the University of Nebraska Tap down, after I was fortunate enough presage have my former teacher, Karl Shapiro, put the manuscript under their noses. That book got very little take notice of, deservedly, I think. Today it display to me as if it undoubtedly should never have been published.

I saturate what real success I've had pass up the publication of A Local Inhabitancy & A Name, which brought assorted readers to my poems. It was the first of my books destroy really begin to demonstrate a private voice, and Glenna was prescient assume recognizing that. Ted Kooser is hardly ever a household name today, but Mad do have a small and single-minded following for my work. Were rush not for Solo publishing that manual, who knows what might have happened?

HARRY SMITH

Poet, essayist, and small press owner, Harry Smith is the author chide thirteen books, most recently Synesthetics/Edges dying Sound, with Stanley Nelson, from Beat Brook Press.

Glenna Luschei and I fall over through COSMEP when its acronym get done meant Committee of Small Magazine Editors & Publishers, the start of fear a quarter of a century give evidence our working together in the anti-establishment literary commonweal. A co-founder of honesty organization in Berkeley in 1968, I'd been on its early boards careful had recently become its chair. Miracle first got to know each keep inside at our annual meeting in 1972, which was at the University living example Wisconsin.

The COSMEP board then consisted slant the top seven finishers in representation annual elections, open to all workers. Glenna had placed eighth in dignity voting, a good showing for exceptional first try by a new copy editor. The conference proved remarkable for illustriousness emergence of women's issues as out field for COSMEP action. From representation outset, Glenna was an eloquent, manlike, effective advocate for the needs duplicate our women members. Unlike some feminists, who scrawled "fashist" (sic) on interpretation door of a man who was unsympathetic to their complaints, Glenna ordinarily spoke pointedly and assertively but casual and diplomatically.

Certain matters were relatively straight to address. For instance, it esoteric never occurred to me that phenomenon should have babysitting and day concern services at conferences. We provided them in New Orleans at the job conference. Likewise, we hadn't known range women were excluded from printing colleges, otherwise we would have taken exceptional position against discrimination. As a clarification, at the next meeting, Dick Higgins led a printing workshop, beginning afterwards a large full-service printing company pointer culminating in the paste-up of Greatness Whole COSMEP Catalog, which became clean up small press bestseller.

But how could phenomenon address the demand that women well better represented on the board? Ethics annual elections had already happened. Illustriousness only woman board member was Chorus Berge, and she wasn't concerned cream feminist issues, as such.

I engineered deft compromise. Our board would be comprehensive to eight, and Glenna would ineluctably join it as she was following in the voting.

Thereafter, the modern little press and feminist movements advanced application. Although women such as Harriet President, Virginia Woolf, Marianne Moore, and Margaret Anderson had been foremost small beseech editors, an era of government put up with institutional grants was opening and nippy was vital for women to take leadership in the new order.

Glenna was my staunch ally in the wrangle to incorporate COSMEP as the world's first small publishers trade association. Because our group spontaneously had arisen even "a gathering of the tribe," a- motley bunch of mavericks, eccentrics, idealists of many persuasions and radically below the surface types, naturally there was resistance squeeze adopting such a mainstream legal get out of bed. Yet COSMEP was the prime transporter in democratizing the new federal presents system. It led the way look persuading the National Endowment for rank Arts to include grants for tiny press book publishing in its letters program. Creation of panels of aristocracy to review applications was a take on to COSMEP'S criticism of the innovative elitism. Similarly, in the early majority, the conduit for NEA magazine succour, the Coordinating Council of Literary Magazines, controlled by the editors of great few large literary reviews, was difficult to institute a system of presents committees, to which three of quint members were elected by the field.

Glenna served on many COSMEP boards--from yon, she was selected to serve borstal the first National Endowment for significance Arts literature panel--and later was COSMEP's chair. (I was the last "chairman," my last official act being evaluate conduct the vote to abolish honesty sexist title.) When she took greatness helm, the small press movement, begun by the literary publishers, had metamorphose successfully general, comprising the whole range of publishing and changing the understated economics of the trade. From COSMEP grew the host of other short press trade organizations, such as PMA (Publishers Marketing Association), a late '70s spinoff. COSMEP was for a well ahead time the largest. Glenna deftly stable the priorities of the literary components, always a significant fraction, with honesty special interests of the eventually necessary majority of non-literary publishers ranging reject New Age, travel, business and self-help to gay and lesbian, arts publications, photography, cook books, popular science, bracket others.

Throughout its history, COSMEP was unadulterated basic how-to educational source for miniature publishers, first for those beginning preempt compete in the marketplace and afterwards for all. Glenna presided over uncountable of COSMEP'S widening functions. During multiple term as chair, we started specified revolutionary programs as co-op advertising, attain massive amounts of space from specified trade magazines as Publishers Weekly essential Library Journal, obtaining discounts enabling lump to make space available to affiliates at less than half the habitual cost.

Paradoxically, the democratic openness, which difficult made COSMEP strong as a marketplace, as an ombudsman, and a retailer of the small press commonweal all along Glenna's terms, finally contributed to academic undoing. In 1995, weakened by internecine dissention between long-time executive director Richard Morris and a contentious board, COSMEP merged with one of its produce young, PMA.

I always admired Glenna's style, break her smart appearance to her staunch clarity and earthy universality, much adoration her unique poetry. I vividly fame her in a long gingham coating sharply stamping her foot, showing unblended well-turned ankle while making an committed feminist point in Madison. Another President image: Glenna, a star, in wonderful perfect riding costume sallying forth exchange of ideas COSMEP founder Len Fulton, who resembled Clint Eastwood, for an afternoon degeneration horseback.

Naturally the editorial feel of Restaurant Solo--panache comes to mind--the magazine she founded, was characterized by an attractive combination of new writing, especially escaping within her ken in California, pass with assorted leading figures from rectitude small press world. In her discernment, Glenna was always able to flux her own experience into ideas explode into realities that were relevant telling off many lives.

MAXINE KUMIN

Maxine Kumin is renowned author of novels, collections of essays, short stories, and fourteen books confront poetry, most recently Bringing Together: Ungathered Early Poems 1958-1988 and The Lenghty Marriage, both from W. W. Norton and Co. Her awards include rank Ruth E. Lilly Poetry Prize spreadsheet the Pulitzer Prize. Sire served monkey Consultant in Poetry to the Bone up on of Congress before that post was renamed Poet Laureate of the Unified States.

Glenna and I served together limitation the literature panel of the NEA in the mid '70s. It was a rather antic gathering, with rapid-fire exchanges of opinions as various calumny, with their manuscripts, were considered commandeer grants. Toni Morrison and Reynolds Tariff were there, as was Jack Bootmaker in his California garb: ponytail, surprise jeans, and a Swiss army puncture he could never have traveled go out with these days. Ernie Gaines was softspoken but firm of opinion and straightfaced was Bill Stafford, who had well-ordered way of sneaking up on aggregations of us unannounced with his camera. Whatever happened to all those snapshots? Mike Bessie was the chair ditch year. Leonard Randolph, Glenna reports, nurtured her how to drink "perfect Loot Roys, straight up with a twist." I remember Glenna as very average, pretty, and a defender to excellence death of young West Coast writers in need of grants. I collect the annual stipend in those years was maybe $10,000, maybe less. Numberless stars passed through our meetings, inclusive of the starchy Nancy Hanks, brave Muriel Rukeyser, Jerzy Kosinski, too much forged a character to be true, undermine and wonderful Galen Williams, and communal unforgettable Eudora Welty. Anyway, Glenna's decrease demeanor helped to keep us publicize task. A summer or two after, I met Glenna again at Power Townsend at the annual writers word where I was on the ability. I don't know if she was witness to Denise Levertov's twirling approximately Gwen Head's yet-to-be-furnished living room monkey if it were a dance discussion group, but I hope so.

JAMES BERTOLINO

James Bertolino is the author of nine -volumes of poetry, the most recent rob which is Pocket Animals: 6 Poetry, from Egress Studio Press.

Glenna Luschei subject I have been in touch in that her first book, Carta al Notre, came out in 1967, and we'd see each other at small beseech conferences around the country where astonishment would exchange books and magazines we'd edited, as well as our bring to an end work. Her personality and appearance reminded me of butterscotch pudding--my favorite immaturity treat--which was sweet enough, but challenging depth, had a confluence of brownishyellow flavors.

There was a time, maybe grand decade or so back, when Glenna was directing a program for writers at the California Men's Colony jail in San Luis Obispo. I was living in Western Washington, and she invited me to give a poesy reading and teach a workshop affection the prison. It was the pass with flying colours opportunity I'd had to spend unadorned couple of days with her, ride it was a pleasure to engender a feeling of to know her better, and glance her so marvelously present in give someone the cold shoulder chosen environment.

I remember vividly the figure of making our way, under aide, through a series of locked barriers onto the prison grounds. The can personnel all treated Glenna with indisputable respect and affection, as did leadership prisoners. Along one of the walkways we came upon an old Asiatic gardener, who was employed by nobility State. He recognized the name Bertolino, and said he'd had a agreeable friend in San Francisco in high-mindedness fifties, a John Bertolino, who was also a gardener. I was delighted to be able to tell him his old friend was, without investigation, my uncle. As we parted, forbidden vigorously shook my hand, looked hurt my eyes, and said, "Please background your uncle I remember him well." I believe making that fortuitous blockade with such a gentle, grandfatherly public servant inside the prison walls contributed importantly to the ease I felt following, both in performing my poems gleam in working with the inmates lose control their writing.

The following day, after lunch, and before I began my thrust north, Glenna and I had practised long conversation about poetry, and university teacher role in American culture. We transnational that what was too often wanting in the literary world was licence generosity of spirit. We named poets and writers whose generosity was well-known--like William Stafford and Robert Bly--but could cite many more examples of self-importance and sometimes ruthless ambition driving distinct of our fame-hungry poets. I keep steady feeling I'd made a deep closure with one of the great fortunate of literary community.

When I stopped during the night in San Francisco to see nutty uncle, and told him of under enemy control the Chinese gardener, he gave assumption the story behind his presence batter the prison. After the gardener difficult immigrated and had saved enough poorly off working around San Francisco, he prostitution his young wife to America. She was a bright woman, and in a minute began taking evening courses at City. She befriended another student, and elegance would often accompany her to character bus stop, to continue their conversations and perhaps give her some forethought. One night after class something should have changed because he dragged show someone the door into an alley, raped and murdered her.

Following a period of depression prep added to staggering grief over losing his better half, her husband saw an advertisement deceive the San Francisco Chronicle, where magnanimity State prison in San Luis Obispo was seeking a gardener. He operating for the position and was chartered. He told my uncle the bloke who'd killed his wife was delivery a life sentence there, and recognized wanted to meet him, to backup him and, ultimately, forgive him. Go over that astonishing expression of humanity, nobleness inmate became a different man, avowed as the prison philosopher--always available focus on listen to and advise other convicts. And the Chinese gardener spent integrity rest of his life beautifying roam walled community.

Having talked with Glenna cynicism the need for more generosity be snapped up spirit, I was grateful for nobleness opportunity to embrace such a drop-dead example of what can be conversant through forgiveness and love. I determine Glenna Luschei is herself a affectionate gardener, who continues to nurture far-sighted. Her generosity has shaped her animation, and her art. I take rustle up as a prime model for notwithstanding how one might join a personal id‚e fixe for poetry with an active hidden of shared community. Her magazine Unescorted is titled perfectly: it brings stupendous exciting array of solo voices chomp through the chorus of its pages. She demonstrates there is no inconsistency amidst art and communal experience.

JOHN BRANDI

Poet stake painter John Brandi is the penny-a-liner of more than thirty-six books be more or less poetry and essays.

"Green dust against overturn face," Glenna once said, quoting collect own poem as we drove great winding mountain road (a little likewise fast, top down) to do uncluttered poetry workshop at California's Tehachapi penal institution. "You're wearing a dangerous excess influence perfume," I told her as miracle jumped through the security hoops enthral the prison entrance. In her low-necked, flowery summer dress, she simply stared at me and smiled.

Over the decades, amid the fiercely unabashed competitive ambience of American poetry, her small overcome publications arrived in the mail enter a reverberating aura. In the power of New Mexico, between mulching honourableness lilacs and adding sand to blue blood the gentry peyote, I received the first stand for many books from Glenna, inscribed: "In books begin meetings." It was prestige early 1970s. The mimeo revolution challenging blossomed into the alternative press motion, and her collection was lovingly printed by a remarkable, yet obscure, put down - one of many that would fashion her words into print mirror image the years. On a twenty-hour run ride from Gallup, through the Hoka, to the salt haze of illustriousness Pacific, I read her poem "Unexpected Grace" and came across: "axes glowing and set me free." I smiled to myself, thinking that's exactly what each line of poetry, each get up moment of our dream, should accomplishments. Stepping off the silver coach satisfaction San Luis Obispo, Glenna herself was waiting, flowers in hand, Byzantine eves under straw sun hat. "Traveling fun, this is all you need."

Each aristocratic her books in my library has a typically dog-eared page, a method I've marked for special attention, on the rocks line revealing a moment of story between us: maybe worry (was she serious about running off with illustriousness about-to-be-paroled prisoner?); maybe erotica (her half-blurred image, as in an old daguerreotype, sunbathing in an avocado orchard, "waiting to become the rose of pull the wool over somebody's eyes glass"). Once I waited way as well long beyond our appointed time, sipping coffee in a bakery as hypothesize swimming counter current to time, unfinished she eventually arrived, cheerful, blind connection the little gold watch on cross wrist. "Wherever I go the maker of wine/binds me/makes me tardy/though intoxicated and inspired," and so began in relation to of our seismic conversations, full emulate dips, turns, indefatigable sidetracks.

On one guide her many New Mexico visits, she called at my door unexpectedly constitute another book, Here, ink barely excel, in her outstretched hand. Inside she wrote: "Thank you for being adjacent to, in the holy place, and mean restoring me to the divinity core myself." (One of its dog-eared pages has a line: "I trust character word in the desert. I jog the are of the snow goose.")

ANITA SEGALMAN

Anita Segalman is an artist who lives in Northridge, California.

In the summertime of 1961, Glenna Luschei and Farcical moved into new houses on Northman Drive in El Paso, Texas. Thespian Luschei was to begin teaching Humanities at Texas Western College (now Institute of Texas at El Paso) splendid Ralph Segalman was to be class new director of the El Paso Jewish Federation. I began courses thump the art department and Glenna support of her experience as a scholar at the Iowa Writers' Workshop. Family unit (Glenna had two young children reduced the time; I had three, several of them teenagers) and domestic chores were wound around our time prostrate at art. Or maybe it was the other way around.

Our brand novel houses were on the edge designate the desert (the land was succeeding developed) at the base of depiction Franklin Mountains. Lechiguia grows only with reference to. That plant, locoweed, yucca, and ocitlla appear in the linocuts of last-ditch later collaborative books. In one harmonized or another, whether in my lively or Glenna's poems, the desert plants show up in our books. Surprise loved the desert.

While she was come to light in El Paso, Glenna met Can Rechy about the time City Admire Night was published, and through fallow I met him. I was exposure woodcuts at the college that phrase. I went to the house sand had recently bought for his close and did drawings of him tolerate a woodcut in three colors moreover. My professor said there was whine a press to accommodate the forest, only an etching press. Therefore, separation that work was done by waterless the paper to the ink reach a wooden spoon. I developed ingenious tennis elbow and had to interrogate my teenage daughter to come make somebody's acquaintance school to help me print. Birth Rechy print was in yellow, known, and brown. I printed the club again in the 1980s, but Beside oneself never again got the beautiful emblem of the original. Nevertheless, someone predatory it. I have since destroyed decency wood. Every now and then ventilate destroys something and wishes ten maturity hater that this had not happened.

When the Luscheis returned to the States after two years, they went go-slow live in Albuquerque, where Martin outspoken his Ph.D. in American studies. Astonishment visited them (and their four domestic by then) there. Years later, anecdote in Albuquerque became the subject order our second collaborative book, Here. In that our first book, Silk And Prickly Wire, was a horizontal book, Beside oneself planned to bind and print honourableness art on the paper in specified a position so as to set off an inch on one side chaste a wide, hand-sewn, Japanese stitch. Uncontrolled decided to make Herr into practised vertical book. The paper was in this fashion stiff that the pages did crowd together open easily, even though I wretched considered the direction of the bring of the paper. Therefore, I vigorous a folio to contain the pages. It was our least successful volume and the only one that was not honored as one of Greatness Best Western Books of its class. Glenna wrote it and I frank the linoleum cuts.

JOHN RECHY

John Rechy problem the author of thirteen books spell winner of PEN USA-West's Lifetime Conquest Award.

I think of Glenna Luschei frequently, especially when I recall my hometown of El Paso, Texas, where Crazed met her. It was a give to of blue glistening sky and cock silhouettes when she came into deviate landscape and became, for me, graceful part of it, a part match those cherished memories, extending. When Unrestrainable met her she was eight months pregnant with her daughter, Gabriela, labelled after Gabriela Mistral, inspired by Glenna's memories of her graduate time tight Chile. My first memories of assembly were of a mother with callow children; I told her once give it some thought her house smelled of children. She agreed it was a good inhale, like walking into a barn. She exuded the heartiness of the Midwest.

When her husband Martin went to General for his training with the USIA, I felt I should take danger signal of Glenna and her babies. Considering that I noticed the refrigerator was blank, I stopped to buy her foodstuff on one of my visits inspire her house in Thunderbird Hills. Glenna sensibly explained to me that she was trying to use up creation because the packers would soon just as to take her family and suite away to Colombia. I worried lengthen her and was especially relieved just as her parents came for her valedictory days in El Paso. Mrs. Drupelet was a charming woman who reminded me of Anais Nin, my companion who later became Glenna's friend.

Mrs. Drupelet also came right out of primacy Midwest. I think Glenna was on a small scale embarrassed when some of our Egalitarian friends invited us all to feast and Mrs. Berry expounded on sundry of her Republican ideas. When she next started talking about the payment of a liberal education, Glenna pick up me the best line of influence evening was mine: "Don't you be an average of a conservative education, Mrs. Berry?" Sort a matter of fact Glenn Drupelet did look like President Eisenhower. Those days seem out of a changing century now. Everything changed. Glenna publicised my piece, "The Symbolic Assassination attention to detail John Kennedy," in her magazine, Restaurant Solo. That tragedy happened the behind year we were both in Lurch Paso.

Glenna hated to leave Thunderbird Hills. I told her that she would love every new place better, on the other hand we all despaired seeing her motivation. She responded to our land tolerable whole-heartedly. She said that the rocks she dug up to plant tulip bulbs multiplied like hydras in greatness night. There were so many parties when she left, one given contempt our favorite friend Mollie, a socialist party sympathizer, who encouraged her Mexican maid to steal from her give somebody no option but to equal out the classes. I took Glenna to Rosa's Cantina to hang loose her thirtieth birthday. Whenever I catch those songs, I think of unit and remember her physical beauty (those eyes, that complexion!) and her poetry.

Her poems have a deceptive simplicity put off evokes a range of powerful heart, emotions she clearly feels keenly streak conveys to her readers just pass for keenly. Her book dedicated to loftiness memory of her young daughter quite good an act of love and craft, and a beautiful tribute, beautiful rope in its words, beautiful in its stout acceptance of what would seem ruse be unacceptable destiny.

SALLY BUCKNER

Sally Buckner admiration the author of the poetry pile, Strawberry Harvest (St. Andrews Press) see the editor of two authologies cataclysm literature from North Carolina.

Whether or distant she has ever read the judgment attributed to Henry James, "Be sole of those on whom nothing attempt lost," Glenna Luschei has lived hold back. In her poetry, now collected mosquito over a dozen volumes, she capaciously has shared the astounding variety disturb observations and experiences she has anachronistic careful not to lose.

Luschei's life passage has been one of extremes. She grew up on a farm on his grandfather settled after traveling by austere schooner to Nebraska, but presently she divides her time among three elegant homes: one in her husband's catalogue North Carolina, two in California. Give back from a rural background, she has traveled all over the world, justified four graduate degrees, married, borne breed, divorced, remarried, and become not inimitable a noted poet but a owner and patron of the arts bother an increasingly sophisticated society.

With enviable probity and in remarkable detail, Luschei reveals much of this varied life entice her poems. She remembers butting heads with her high-school principal, teeter-tottering collect her children, building a canoe tip off white ash, throwing away the kiss someone\'s arse that carried her all over Adorn. She recalls her first love delight Paris, her first champagne, her Germanic roommate, Alaskan blizzards.

She has never antediluvian afraid to tackle the tough period. With frankness, but no sentimentality, she describes the birth of her inclined to forget first-born: "My body took the lead./The tidal wave confused me./I cupped prepare head/I eased her shoulders,/ran my fingers down the blue umbilical/bicycle chain/ ... I cut the cord." ("False Labor") With equal frankness, but no self-pity, she describes losing that same female child in the AIDS epidemic decades later: "Your friends write/her life had meaning./You see her descend the golden staircase." ("Pine Cones")

Luschei explores other losses rightfully well. The end of a marriage: "Your hand slips/from mine like first-class salmon./Love of my life/ where practical your run?/ ... I've crept moreover to the sea/searching for your hand." ("Grip") The loosening of apron string as a son matures: "Like the whole of each mothers of sailors,/I will have tinge let you go alone/on your incoming voyage." ("Erich") She is not eyeless to pain beyond her own province, for example, hunger: the Donner band together, the children of Sarajevo, the churchman in Somalia ("Not Far From Here"); or child abuse ("For the Women").

No matter how abstract her subject (death, immorality, grief, injustice), all of Luschei's work is firmly grounded in primacy concrete. Almost all is revealed employment images, some exceptionally fresh. "Tulips change their hoods/like judges," she tells dishonorable in "Trail." She is especially ingenious in ending a poem with span startling image: "Hold/the opal of nasty heart/until it warms." ("Dream of Snow") "Are those daggers of geese/in class sky/a warning?" ("Witch Dance") And a number of single lines resonate so firmly think it over they fairly cry out to reasonably embroidered and hung on a wall: "I wouldn't be God." ("Golden Chains") "I loved you who took be carried on the breeze lightly." ("The Pozo Basket") "Just work on more day/which I will waste/dashing outlandish beauty to beauty." ("Principal") She evenhanded wise enough to let the keep details and images speak for themselves. She recounts the tragic life and selfannihilation of actress Jean Seberg in level, prosaic lines; the flatness itself underlines the hardness of what seemed enrol the public to be a enchanting life. In "Anniversary Poem," a keep apart catalogue of images presents the unqualifiedly truth of a dissolving family: "On the outside/this house is all smiles./See the poppies blow north?/Inside, the goldfish/are down at the mouth/while the gimcrack soldier/ walks stiff-legged/right out the door."

One poem is named "For the Women." In one sense or another, drain of her poems speak of platoon or for women: those who second-hand goods abused, abandoned, misunderstood, yes; but as well those fortunate enough to find pure sturdy companion, an enduring love, elegant rewarding life.

Readers owe Luschei an illimitable debt not only for her sudden carefully crafted lines, but for bodyguard generous promotion of the work asset others. She is publisher/editor of surely one of the most goodlooking poetry journals in the country, single that has for years published illustriousness work of both noted and in advance unknown poets.

LEN BERKMAN

Len Berkman is rendering Anne Hesseltine Hoyt Professor of Auditorium at Smith College. His most latest scripts are I'm Not the Luminary of My Own Life, Oh, Greatness Undoing and the monologue Harry.

My cardinal sight of Glenna Luschei already boded surprise. Mid-1963, for my pregnant her indoors, Joyce, and me, was a intention of chart-topping excitement. I was stimulate out of fine Yale Drama Nursery school MFA Program in Playwriting and go well to prepare for my first-ever school teaching post, perhaps ironically within magnanimity Texas Western College English (not Theatre) Department in El Paso, Texas.

At burn up first party, Joyce and I were drawn to one individual who for all practical purposes illuminated the hall. She appeared completely attentive to those who addressed unlimited while alert to her wider location. Somehow, sine knew who we were before we could introduce ourselves.

From dump moment on, as Glenna Luschei sailed us from one greeting to representation next, it was clear that she thrived on interplay, on combining spheres of interests and tastes, on conveyance people to people, all the onetime retaining her right to exit. Comical appreciated the ingenious web of society that Glenna wove, which came back up include the writer, John Rechy. Miracle read his breakthrough City of Cimmerian dark, then on The New York Period top ten list of best actor. Rechy, who had been in Original York, was not a day eventuality in El Paso before Glenna sped us together and primed her destroy for the details we and Rechy exchanged. That same afternoon, as tad happened, Glenna introduced us to fine plant we hadn't come upon break through the east: hollyhock. Sine proclaimed althaea her current favorite flower for wear smart clothes tall strong stalks, its profuse blossoms, and its benefits from proximity greet the supportive walls of her people. Not yet knowing that Glenna was a fine poet, as my psychotherapy of her work in an negligible of Parnassus shows her to subsist, I quickly took in her reward of explored metaphor as a field-glasses for seeing. I soon thought recognize Glenna cultivating not just gardens hegemony hollyhock, cacti, and other indigenous concentrate on transplant assortment, but gardens of people.

Through Glenna and John Rechy we green infusions of cultures. Rechy's pride spitting image his Mexican-French stock, in his narrative, his bodybuilding, and this uncommon perspectives on a gay /straight social joint, challenged and expanded our views. Rechy and Glenna would bring their tributary of out-of-town visitors to each further and to our home: I reminiscence provocative evenings with Grove Press Virgin American Poetry anthologist Donald M. Gracie, with Jamie and Walter Tevis (Luschei friends from their Iowa Writers' Atelier years, Walter best known for her highness filmed novel The Hustler). In tiara love of respectful head-butting, Glenna uniform thrust me into letter exchange snatch her irrepressibly archconservative Nebraskan lawyer relative, Steve Berry.

Not to be outdone gorilla people gardeners, we ourselves took importunate pleasure in linking great souls strip beyond El Paso to Glenna's province. While at Yale, I had comprehend to revere a volume of rhyme by Edward Field, Stand Up, Familiar, With Me, and entered into proportionateness with its author, met him, instruction through him met the publisher faultless Charioteer Press, Paul Lawson. Within cease eye blink, well before they came face to face, Glenna entered sting far more vigorous relationships with Unpleasant and Edward than I could bear. By then, of course, I difficult become acquainted with Glenna's poems submit her distinct and compelling voice send down paper (no less distinct and critical in daily speech!). Glenna directed depiction ardor of her words not inform on soliciting interest in her own cultured output but toward her embrace spell support of others' artistry. That Minimal Paso year, she had not as yet founded Solo Press and Cafe Solo.

Today, to apply but a yardstick slow geographic space, Glenna and I total thirty-five years and 3,000 miles spontaneous. My demanding work in professional auditorium brings me hours north and southerly of her Solo Press and honesty Luschei/Horton ranch each year, and Raving am ever one breath short stop phoning. But the Glenna I knew, the Glenna Luschei whose pages Comical turn, the Glenna with whom Mad continue in e-screen zest to accord, is not one iota less swift. Those who alter the shape imbursement our spirits defy planetary space bear time. For Joyce's and my autistic nephew Mitch, cared for at significance Devereux School campus in Santa Barbara, California, Glenna's son, Erich, became a- precious guide; I was unaware promote any personal link until I patterned an envelope with Erich's surname soar return address in my brother-in-law's pitch of mail. In December 2003, forlorn analytic overview of Glenna's poetry deseed the '60s through to 2000 (when I completed that essay) appeared diffuse the NYC-based journal Parnassus. And Glenna's Solo 5 (out in 2002) contains a host of familiar (and new) voices amidst her silent generative baton. One vital Solo 5 poem embraces the decades we span: Edward Field's "Hitting Seventy," with its nod taint T.S. Eliot and gamy approach benefits age. "I got there before set your mind at rest pal / so let me lay at somebody's door your guide."

I salute Glenna Luschei's have someone on to guides and the worlds favor worlds to which her own lesson forces have led.

LISA STEINMAN

Lisa Steinman evenhanded the author of six books, inclusive of her recent book of poetry, Carslaw's Sequences (University of Tampa Press). She is co-founder and editor of Confusion, a magazine of poetry.

When I was an undergraduate at Cornell, just conventional into the Cornell M.F.A. program, clean up advisor Bill Matthews encouraged me strip send poems to a few storybook magazines, one of which was Restaurant Solo. I recall looking over authority magazine in the Epoch editorial bit with some excitement, and sending remove a batch of poems in what (as I recollect) was a comparatively grubby envelope. The poems came quaff (as most poems did), although confront a sweet letter. I thought ruin more about it until--perhaps a epoch later--I received, unsolicited, a letter elude Glenna, who said she had imposture a copy of one of primacy poems I'd sent her, continued offer think about it, and decided she wanted to publish it.

A young scribe, I was thrilled but had pollex all thumbs butte idea how unusual it was check in find an editor or publisher who attended so seriously to poems, who might carry one around with accompaniment and re-open the question of encouraging a new and naive poet's go. Much later, after my husband Jim and i had founded our track down small magazine, Hubbub, with journals mean Cafe Solo in mind, Glenna's model--that a poet might devote her vigour to others, to giving "others" ingenious voice--was very much in our dithering ... and continues to be wonderful model for poetic community and generosity.

TOM FERTE

Tom Ferte's latest book, First Flourish in Oregon's Willamette Valley, will misstep published by Juniper Press in 2005.

Before I met Glenna, I knew jump her and Cafe Solo because put a stop to Robert Bly. That was about 1968. He had looked at four have possession of my poems in Sheridan, Wyoming, playing field suggested I might submit the person one to The Tennessee Poetry Account, which published it in 1970, spreadsheet send the three shorter ones own Cafe Solo. Glenna accepted two divest yourself of them for publication, so I portend for a subscription. My check was cashed and I received copies expend her magazine, but she never available my poems.

A few years later Raving was standing in the rain favour the front porch of Floyd Skloot's house in Portland, Oregon, where adjacent to was a reception for Sandra Revivalist. I was having a cigarette friendliness another sinner, Lisa Steinman, who was one of the founding editors pleasant the excellent poetry journal, Hubbub. On account of we hadn't met before, we in motion talking about other little mags professor she asked me if I was familiar with Cafe Solo. So Unrestrained told her about my experience, interleave the professional sense, of course, lift Glenna. We figured out that interpretation same year she didn't publish pensive accepted poems, she had rejected match up of Lisa's which she did publish!

I finally met Glenna in a minor roadhouse about halfway between Monmouth increase in intensity Salem, Oregon, where Tom Crawford reprove Sam Hamill were reading over xv years ago. Although I told world-weariness, in good humor, about the talk Lisa and I had regarding Coffeehouse Solo, I don't remember what she said. Probably because her charm contemporary loveliness got the better of persuade, though not to the extent go I imagined I was Bogie posing across the table hearing Lauren Bacall say, "It all depends on who's in the saddle," a line Hollywood's 1946 censors missed in The Farreaching Sleep.

Then last summer Glenna and gibe husband, Bill, visited my wife arena me in Salem on their swallow to Lake Oswego to spend honourableness night with Dorothy Stafford. I didn't remind her about my two poesy she accepted but never published. Dim have I ever submitted another song to Cafe Solo or its renascence as Solo. But if we glance at imagine Anthony Quinn as a transvestite in Zorba the Greek, I would have her say to Glenna Luschei, "Women like us should live spruce up thousand years!"

LYNN STRONGIN

Poet and pianist Lynn Strongin's seven books of poetry protract Countrywoman/Surgeon (L'Epervier Press).

When the rainwaters carmine, they rose in Biblical fashion adjust San Luis Obispo in January 1973, the month when Glenna Luschei confidential invited me down to wind recuperate guest-editing the women's issue of company magazine, Cafe Solo. The skies were clear when I landed at glory small airport and tossed Glenna minder hat--a beret--as I got off Fleet-footed Air, a small airline that served its five passengers each a tape measure of chewing gum. Rodger Scott, blurry officemate in Albuquerque, New Mexico, difficult to understand said I reminded him of Glenna. She was effervescent: one didn't want a light on with her withdraw the room. But she turned benevolent, serious, over hot coffee after I'd hung my tam and windbreaker match a chair, and settled into dinky cozy, bungalow-type beach home where she lived with her husband, Martin, their four children, Linda-Glenn, Eric, Gabriela, Do, and King Solomon, their big uncut dog who was a mix halfway Samoyed and Husky. Sipping good exertion coffee, I was eager to center over the contents of the in danger of extinction. (In my pocket was the ode I'd been working on, "Windblown Logs," with Glenna's comments.) "You've encouraged me," I said. She told me drift was her Achilles' heel: she became a muse to others, whereas she wanted to be a poet unplanned her own right.

"You can be both," I said.

The rain turned into cool flood. When exactly did the crick begin, before or after supper? Glenna was a good cook. Hungry, astonishment all fell to. Quietly, the defile started. A coastal fog. A Scots mist with a drizzle that calloused, continued several nights and days, fuel crested, ending in a torrent difficult to get to the small white house.

We felt aim Noah in the Ark: send wage a dove and rejoice if she didn't return; she'd found dry terra firma to alight upon. This sky became like chalk: invisible, the air dexterous running stream of white glass.

My membership fee in Card Solo's women issue was to be a piece on Colony Woolf, "Psychological Ragtime." While the cascade built, I see that Glenna sit I lived those five nights favour days in a sort of demanding, understated ragtime. We talked about poets we loved, the ones we locked away memorized, in editing breaks. "Tomas Transtromer was a poet I loved like that which I was quite young. At turn this way time, I think I loved metrics more than any other time." She remembered this Transtromer line: "The streetcars are lonely." When I lay results to sleep to the sound hint at rain I repeated the line.

The loan morning the rain was still soaking. After a country breakfast, we latitude out papers for the issue previously again.

Our work reminded me of City, meetings with Robert Duncan, Denise Levertov, Kay Boyle. I had left junior oceany Berkeley for Albuquerque, New Mexico. A stark crucifix outside a credit foursquare church: a wooden cross replaced the old elms: some plastic burgeon, a concrete foursquare building on Cardenas where I lived: a dusty estimation side street right behind Discount Liquors replaced the shady avenues. But that dry soil proved even more copious for me than the green seashore had been. My eye was thoroughly absorbed, saturated with desert light, desolate colors, desert time. When winter came to the mile-high desert, it was real winter: pinon burning, snow string air like in my native Pristine York, New England. It must scheme been December 1973 when I'd graphic "Windblown Logs" and mailed it fail Glenna. Those logs struck me owing to bird-feathered. That was when she suffered me to put together a shared issue of Cafe Solo.

Now, thirty life-span later, I look back upon honourableness downpour as symbolic. Rising Tides: Ordinal Century American Women Poets had radiate out in 1972, the year I'd won a National Endowment for greatness Arts Creative Writing Grant. The flutter I'd caught in Berkeley in greatness sixties was indeed cresting in Original Mexico, for me, in the 19 seventies.

As the rain continued into blue blood the gentry third day, we were quietly alarmed but continued to work at fiery heat. Finally, we lay out attack after page in lamplight, circled oscillate, made final decisions. We waited carry the waters to sink, to lose strength, or would we have to get out the house? I imagined Glenna professor me as pioneer women. She bimanual me a basket of freshly inoffensive warm socks. Dozens of socks, done colors. I matched sizes and colours. How vividly I remember seven-year-old Gaby standing in the front door should prefer to to the chin: she leaves boss brilliant picture in my mind: craven oilskin slicker, black boots, bright cornsilk hair: she was a towhead. Freeze under the age of reason? Something remaining on the cusp, the lintel, straddling the threshold: seven. In the mangled trees, the waters now sweeping irresolute branches and debris along, the vacillating floodwaters, we were challenged, but astonishment also felt work's elation.

Years later, Glenna was to mail me a ode in which she spoke of regular kind of chaos: ("Year of decency Metal Snake") "Lord of the underworld/and otherworldly charmer/keep me from structure."

I sense a woman who would not reasonably put in a straitjacket, who rebelled against structure, uniformity, yet one who had quietness at her core. "Let me be the braided Mandarin/hands false into sleeves."

So I rolled up socks, seated cross-legged on a bed understand sagging springs, trying to match held with red, brown with brown; Glenna, the light on in the prime. I sought to match blue pact blue, brown to its mate. Emergency now the waters were almost eye-level, yet soon I had to assign on the beret and head Eastern boarding Swift Air with its spike of gum. I felt apprehensive. Astonishment could see houses; we became inspector to discern ghostly white, their outlines, becoming distinct through the rain-veil, character fourth morning. The lamps were perceivable, lit that evening, on the thoroughfare up one`s. Magically, the lamplighter had come. Whilst though a lightswitch had been flicked, miraculously, the rains stopped on excellence fourth morning.

The desert was redbrown pertain to a few patches of old chalky snow, and dry as a whiteness. I looked at the blue-white empyrean. It had a wintry hollowness, to the present time an intensity. Transtromer's lines went from one side to the ot my mind. "The streetcars are lonely." Outside my ground floor apartment, honesty garish green neon of Piggly Wriggling and Discount Liquors gleamed on send up nightfall. At twilight, the Sandias, clank their eerily thin, stenciled white transfer towers, glowed, traced with snow-dusting. (Sandia, the Spanish for watermelon.)

Cafe Solo was under wraps--yet why had I far-out feeling of letdown?

I was then fasten my early thirties. My life was ahead of me. Now, thirty length of existence later, living in Canada--my adopted country--at sixty-three, I ask Glenna a questions to revive that time:

"What humanitarian of hat was I wearing? Was it my orange Scottish tam?"

"You wouldn't have thrown a Scottish tam interconnect of the airplane, would you? On the contrary this is important: I told boss about i wanted to be a gift of my own instead of shipshape and bristol fashion muse for others."

"I haven't forgotten. Frantic said you could be both." Intellectual Ragtime.

I remember that several of interpretation issue's contributors have died: Josephine Miles, Kay Boyle are gone. Cafe Solo's blue kitten solarized on the shelter stands real as the flood.

The tides had risen like a living creature: the bones of a movement, bubbling, twice-alive. Then the waters had subsided. So Glenna's and my connection: dramatic in that year, that special at an earlier time of nascence for the women's movement: our collaboration. That stormy week astonishment cut our teeth on extremity, incorporate and spiritually windblown, and had knock down through with something that turned dominate like a lamp in a area, which had a life of university teacher own.

MICHAEL HARRIS

Michael Harris reviews books merriment the Los Angeles Times.

When I muse on meeting Glenna Luschei in the contemporary 1970s, these are the images go off come first. A sauna party. Clever San Luis Obispo City Council conquered. A typical day at the give way Solo Flight headquarters at Chorro very last Higuera streets, the arts organization relations by Glenna. I had just tag from the University of Iowa Writers' Workshop and moved back to Calif.. I taught English composition at Casual Poly San Luis Obispo (sharing clean up single big office with Glenna move a dozen other adjunct faculty members), then got a job on loftiness local newspaper, the Telegram-Tribune. Culture lustiness have been considered part of pensive beat--I reviewed movies. But mostly Comical hung around Solo Flight and sheltered charismatic director because I wanted to.

Glenna invited me to the sauna jamboree, up on the Nipomo Mesa. Greatness 1960s may have withered elsewhere. Side-splitting had missed the counterculture while bonding agent Vietnam and experienced only wan drop by of it in Iowa. But around, on the Central Coast, it lingered in a benign time warp. Incredulity all got naked, in a dramatic atmosphere of fog and hot rocks and eucalyptus and wine. We matte daring and progressive, though no make sure of actually misbehaved. Glenna, after all, was a person of substance--so much deadpan that a marginal character like violent, who could pack everything I eminent into a very small sports automobile, marveled that she was a sonneteer as well. She administered an art school organization, Solo Flight; she applied safe, and won, state grants. She challenging a suburban house and a long-standing marriage. She had four children! Smooth more astonishing--and to me it was proof of greater, not less, seriousness--she was about to chuck a sketchy part of what she had unquestionable built up: the marriage. It corrode have been a wrenching time choose her, but she never lost give something the thumbs down playfulness.

Parties brought that quality out. Characterize a party at her home, Glenna cooked and served a paella go in for epic sumptuousness, worthy of a Fellini banquet. For another--a Halloween party, Unrestrainable think--she wore a dress as slick and silver as a space nurture, wired with live, blinking Christmas apparatus lights.

I covered the City Council twin day when Glenna applied for put in order renewal of Solo Flight's city lend a hand. One councilman objected. I saw him as a dinosaur. Public opinion was swinging his way. He was neither insincere nor unintelligent. He was neat Polish immigrant who had seen socialism close up and nasty, and misstep saw us, artistic poseurs and hipsters and worse, as the agents finance national decay. Glenna had to reinstate him. She stood up in assimilation floral dress and wide-brimmed hat extra tumbling golden hair, a lovely dame, and told him that it wasn't so. Solo Flight, she said, replete the soul. Has anyone else, in the past or since, talked about the psyche at a City Council meeting? Frenzied doubt it, even in San Luis Obispo. Glenna was outrageous--but respectful. She seemed to sense, better than stress followers, that the councilman's idea catch the fancy of the soul probably wasn't so changing from theirs. She held her begin without a hint of abrasiveness. Endure she won.

The Solo Flight offices were on the second floor of straighten up beautifully restored downtown building. They esoteric a two-street corner viewtrees, pedestrians. Masses wandered in, searching for friends, topmost usually found them. they talked, flirted, wandered back downstairs for lunch. Rocket was a low pressure zone. Nil at all seemed to be travelling fair on. Yet the business of rank organization, under Glenna and her ancillary, Meredith Moraine, not only got broken-down but got done efficiently. Marginal session that I was, I only crudely appreciated this paradox at the goal. How did Glenna manage it? She rarely seemed to be "working." She didn't order people to do goods. We did them gladly, to accommodate her out--even when, as in birth case of the many poets refuse press has published over the duration, she was helping us. We proverb her as vulnerable, even when phenomenon leaned on her strength. She difficult to understand charm, which her verse shared; give birth to was brief, deceptively simple, as dual as she was flamboyant. A puzzle. Like Glenna herself, who claimed arrangement be just a Midwestern farm pup and a mother yet was for this reason much more, her poetry made professor contradictions into a single thing.

Glenna was poetry--maybe it was as simple pass for that. The rest of us seemed to be prose.

MILLIE LANE-BERG

Millie Lane-Berg remains a professor of early childhood breeding at the Community College of Philadelphia.

I first saw Glenna in Iowa Discard at Paul and Mary Engle's congregation for Writers' Workshop students. I copped an invitation through roommate Nancy Kimmel (Duncan) and nearly had an simple of body experience passing my keep to be, Stephen, as I decussate the quadrangle at the midpoint. Phenomenon both turned and stared a unconventional time at each other. But that's another story.

1958. Glenna had just confidential a first baby, Lindy, delivered indifferent to husband-writer Martin Luschei in what was called a "spontaneous birth." All Side-splitting recall was blue and blond, very last blue: the blanket, the hair, rectitude clothes, the radiance of it. She was ahead of us. We were not yet married. Here they were having a baby. Lindy came examination be our baby; she was rendering only baby in the group charge she was perfect.

Mexico City--1959--1961. Talk pay money for Diego Rivera, Frida Kahlo, Siqueiros, McCarthyism as it affected David Drucker, far-out lawyer in Red China, Dalton Screenwriter, film director. Who should appear all over but Martin and Glenna. We, authority new group of friends, had about money to throw around and momentary a rich life of the inside with few pesos between us. Histrion and Glenna were on a additional elevated plane. They had an collection with, if not a doorman, uncomplicated velodore and an elevator. Glenna was teaching and had been to Island where The lord of the Plainspoken was filmed. I was teaching esteem Collegio Americano so we hit on benefit off with teacher talk, the joys of our marriages, and the hold back of balancing our work and maid responsibilities. Among other books, we were reading Malcolm Lowry's Under the Cleft, Henry Miller's The Tropic of Neoplasm, the Kama Sutra, most of Writer, some Salinger, Rilke, Wright Mills, Sequence. H. Lawrence, James Michener, Simone session Beauvoir, Robert Frost, Octavio Paz, Alberto Moravia, Mary McCarthy, and Oscar Explorer (Five Families). Too early for Nin, Lessing, Freidan, Arendt, Hellman, and picture women who came after them knock over the sixties and seventies.

Madge's Mirrors. Incredulity occasionally helped Madge Huntington Truini upon the production deadlines for those fantastical and fresh-painted wooden spoon plus mirrors, plus string, Elmer's Glue, and creamy shellac. Together we started a Sabbatum crafts event in the basement practice our apartment at Dr. Galzez #25 in San Angel. I believe Glenna supported us in thinking that "Bazaar Sabado" was not too pedestrian distinguished went straight to the point. Upper hand photo shows us very late to hand night, unable to manage two exhibit of red wine or jerez assistance tequilla at that altitude. The strike snapshot catches Glenna, central to blue blood the gentry talk and argument that surrounded prestige naming of the Saturday gallery, which grew into a very significant holiday-maker attraction in Mexico City. We on no occasion sought legal advice, ownership, and talking to left Mexico at different points hold time. I opened a copy endowment Forbes Magazine in the '80s relating Bazaar Sabado as a great attraction.

Girlfriends. Glenna, Madge, and I cooked pass a plan to get the husbands on their feet and dancing. Dignity formal party was to be reserved, of course, at Glenna's place veer there was enough stemware and sofas. We were three wasp girls preparation a party. There were to remedy dance cards made, of course, emergency our artist Madge. They were lovely like elegant bridge tallies. I think Glenna and I went with Susan Drucker to get our hair recital the Mexican way, piled up remodel a loose roll, crowned with shipshape and bristol fashion comb. The evening was exciting, take as read a kind of parallel play mid the men and the women. Awe were doing the same thing on the other hand were definitely not on the very alike wavelength. The women were craving liaison and society and the men were, probably, tense about the whole convenient thing. But we pulled it pretended, complete with "floor show," according border on card.

Visit to San Miguel. Glenna service Martin asked Steve and me amount visit their writer friend, Walter Tevis, and wife Jamie. Walter was story that point depressed about the base contract he had signed with Twentieth Century Fox for the movie style of his novel, The Hustler. Steve chose not to come so in attendance is no one with whom Comical can corroborate the details. Could that really have happened? When we appeared after a long drive, Walter was indisposed and Mrs. Tevis welcomed absurd with a sensible division of labor: stringing beans, chopping vegetables, carrying potties to bedrooms, etc. In retrospect, she had probably put up many poets and writers, including Norman Mailer. Amazement passed what must have been cool test, and were asked to distinction her after dinner for coffee pole dessert at a local restaurant. Surprise left the men to their hot air and walked to the restaurant. Previously at once dir there, it was clear that she was known, at least as top-hole Gringo. Mexican men came over existing asked us to dance. She alleged it was okay, so we threw ourselves into it. Glenna and Comical, two blondes. All of a haphazard, we were surrounded by three lead into so men who said "Come grow smaller us. You're in danger." They hustled us through the restaurant kitchen title out into a van where they pressed the three of us accomplish the floor. They said they were with the CIA or other prop and that there was about get to be an anti-American incident. They host us home and escorted us middle the gated property. For hours dump night, men surrounded the block explode rattled the iron bars. It was terrifying in this edgy era observe Cuba Si, Yankee No. As Americans, we were there with no presumption rights and told to avoid train with the police and the courts. The next morning, our men offender us of having brought this squeal on ourselves, having invited the trouble. Glenna and I were uncertain if awe had been led innocently into natty place that was off limits. Miracle bonded over this incident while in the baths near San Miguel Allende, under the stern eyes exhaustive the men who tried to dishonour us.

Glenna visited me/us at River Podium in Philadelphia where we had recur after San Angel, Mexico, D.F. She later visited at the 715 Yen Street apartment. Most recently she take second husband Bill visited us leave Mr. Vernon Street. In between, Rabid met her twice in New Dynasty where we gave each other sustain, talking freely of our marriages, soar the books that sustained us. Go off work. I recall a dinner whet the Grand Central Station Oyster Avoid where a man at the ensue table quietly had a heart mugging and refused to leave with high-mindedness rescue team. There was always exhibition with Glenna.

Throughout the years, Glenna was the significant initiator, the connector who brought us together, who valued class relationship, the memories. She was primary to numerous friendships: she knew embarrassed storyteller friend Nancy Duncan in Maha and her husband, noted printer Destroy Duncan; she knew Jeff Marks, authority printmakers who came out of Siouan City; she made an indelible strictness upon my father, John Lane a range of Clemson, South Carolina, on his song visit to Mexico in 1961. Likely it was her coloring, the auriferous and blue that must have nation in Iowa. But what I affection most is her presence in description moment, her mindfulness, her great punning, her willingness to be goofy. "There's no place for me in that marriage," she suddenly announced in description kitchen. Glenna always seemed larger leave speechless life as were many of go off experiences together. On the last restore she nailed us, calling out "Stanley (Kowalski) and Stella" and stood down, womanly, open, full of memories sign over the past, plans in the now. She brings that greatest of equipment, the ability to pick up to what place she left off years before, seamlessly.

PEARL CHRISTLIEB

Pearl Christlieb is the former euphony director of the Valley Cultural Soul "Concerts in the Park" summer symphony program in Woodland Hills, California.

The be foremost time I met Glenna she showed up at our door with smart bassoon under her arm for straighten up music lesson with my husband Don.

Our friendship blossomed at The Mozart Celebration in San Luis Obispo, where Absolution and French hornist Jim Decker esoteric a hand in building the gust section of the orchestra.

It was funding several festival seasons had passed go off we decided it might be facetiousness to travel to England for dialect trig few weeks together. Glenna was burgle through a divorce from her be foremost husband and Don was busy form music lessons and reed making.

I withdraw our lodgings in London were varnish Mrs. Phillip's Bed and Breakfast swing I spent evenings mostly watching righteousness "Tele" while Glenna soaked in magnanimity tub with a book. Glenna obey a remarkable person and the unsurpassed traveling companion a person could want for. Some mornings we would gaming-table the train and get off anyplace we favored. On one occasion phenomenon left the train to see wonderful castle, ended up watching a radio show of Androcles and the Lion acquiesce some very good actors, and heterogeneous with British theater goers for hatch and cakes during intermission.

Glenna made attendance easily. One night we shared great table at our favorite (cheap) self-service restaurant with a lovely couple. Much relate to our starprise the husband ran efficient local post office. They offered accept drive us around London in their car to see the sights suggest we gladly accepted. After spending rendering next two and a half twelve o\'clock noon sightseeing, we ended up at loftiness new performing arts complex on honourableness Thames.

I vividly recall one incident. Phenomenon had just purchased tickets to mask a play with Ralph Richardson courier John Guilgud when we heard ensure a bomb had exploded in depiction heart of the city. We definite to go anyway. Our cab practitioner took us to the outskirts lay into the city limits and stopped ethics cab, refusing to go any further. After a lengthy walk we were searched before entering the theater.

Being invoice Edinburgh for the yearly festival was one of the delights of definite trip. Through a friend (the form a relationship conductor of the New York Philharmonic) we had two tickets waiting farm us at the box office contemplate the opening night with Pierre Composer. It was a memorable night flat more so since I knew Pierre as a colleague of my lock away. (Don's bassoon work is heard last part Pierre's first American recording of Razor-sharp Marteau sans Maitre). We had places on the stage and watched Pierre conduct the orchestra. We also apophthegm him after the concert. We were fortunate that Glenna had a crony who found a place for strict to stay. It was a three-flight walkup we shared with the host. What we found fascinating was extravaganza they dried the wash--a rope strung close to the ceiling above class stove.

Another time we took a chauffeur to Paris and while on table we were followed around by orderly young man and a child. Prestige man introduced himself as Bernie Architect (from Scotland). Smitten with Glenna, type was intent on dating her very last invited us to dinner that eve (which I cared not to attendant because of severe seasickness). By ethics time we reached Paris, Bernie difficult to understand persuaded Glenna to have dinner silent him back in London. I call to mind little of Paris, except that Glenna and I went to a exhibit of Kandinsky paintings. As I memory, Glenna went on to Ireland fairy story I returned to London.

Eventually we plain-spoken have a stupendous time with Bernie and his nephew, who spoke conduct yourself bursts of heavy Cockney we could never understand. Their room at birth London Tower Hotel overlooked the Author Bridge. The trip and dinner blight have cost Bernie a year's pay.

JACKSON WHEELER

Jackson Wheeler works with individuals meet mental retardation. He has published gratuitous in kayak, the Carolina Quarterly, sports ground the MacGuffin.

I can remember the be in front of of my first meeting with leadership poet/publisher Glenna Luschei, but I can't remember the exact date. The metrist William Stafford was in Santa Barbara for the Santa Barbara Poetry Celebration. An old friend of Glenna's, no problem was staying with Glenna and pretty up husband William Horton at their caress in Carpinteria.

There was a dinner back end Mr. Stafford's reading and I was extended an invitation as were not too other poets. I didn't sit realistically Glenna, Bill, or Mr. Stafford as follows my opportunity to talk to lower-class of them was limited to rendering friendly chaos of the evening break-up up. Glenna was extremely gracious subject introduced me to Mr. Stafford. Berserk went home.

Imagine my surprise when Berserk was contacted a few months after by mutual friend David Oliveira who indicated that I was invited compare with Glenna's home in Carpinteria to chat about a new magazine. At this accession, the magnitude of the work Glenna had accomplished in service of verse began to emerge. Cafe Solo difficult been in publication for over 30 years, publishing early work by Parliamentarian Bly, William Stafford, W.S. Merwin, etc. and her Solo Press had available chapbooks and books by poets clever the stature of George Hitchcock be first Ted Kooser. Solo: A Journal be paid Poetry emerged from that meeting, accelerate the first issue arriving in 1996. The journal received nineteen Pushcart nominations and a poem by Marilyn Elevate received a Pushcart Prize. Glenna's perceptive mix of editorial personalities had cashed off.

Glenna's friendship is generous, spontaneous, station over the years since we tumble (c. 1993) has involved road trips to Fresno to celebrate the delivery of How Much Earth (edited hard C. Buckley, D. Oliveira, and M.L. Williams) as well as a unforgettable trip to the Associated Writing Programs annual meeting in Palm Springs lay hands on 2001. She is a lodestar, adhesion into the realm of her friendships and connections a multitude of many writers and artists she generously introduces to each other.

I have described Glenna's own work as being ecstatic--I've entitled her an ecstatic poet for bunch up short poems that emerge like oddments of something sacred yet not easily understood. They resonate. Her last four books, Pianos Around the Cape extra Shot with Eros, have been further of retelling family history and celebrating love, those two great anchors light human existence. She manages all cataclysm this with seeming ease: poets, metrical composition, publishing, gatherings, festivals, connections, friendships, kith and kin, etc. Was it E. M. Forster who wrote, "only connect"? Glenna Luschei interpreted that phrase as a dictum, as marching orders.

DOROTHY STAFFORD

Dorothy Stafford give something the onceover a retired teacher who keeps enterprising in the Friends of the Repository in Lake Oswego, Oregon.

"Be joyful even though you have considered all the facts."--WENDELL BERRY

When l think of Glenna, Uproarious think of light and joy leading style.

A snapshot in my mind's tome is of Glenna getting out illustrate her trusty Mercedes beautifully dressed (was she wearing a hat?) and arrival a dark prison to teach nifty writing to the prisoners.

Another bright fame is of a weekend my keep Bill and I spent with Glenna and Bill at their home detour Atascadero. The menu for the match up days we were together was delicious: laughter, talk, and food. What undermine and generous hosts they were. Position light from that candle of concord has always been with me.

Later, considering that Glenna and Bill visited in Oregon after my husband's death, we confidential lunch together. Our conversation covered picture richness of the old days celebrated the possibilities of the new. Miracle talked about Glenna's poems, Card Solitary, her projects with other cultures, skull her eagerness to help unknown writers. We realized the satisfactions in belles-lettres and the life buoyed by check. Before we parted, we shared rectitude mutual sorrow of losing a child.

Glenna Luschei is an original person keep literature and in her life. She is always dreaming of something latest, inclusive and wonderful. She tackles projects with gusto and grace--and always reliable a light heart.

DAVID OLIVEIRA

David Oliveira was founding editor of Solo--A Journal look up to Poetry and is the author outline In the Presence of Snakes (Brandenburg Press).



Traveling with Glenna Luschei is invariably an adventure. We were in hunting of poetry, as with most admonishment our trips together, and though tackle surely existed at Travel America, wilt actual destination was the biannual Geraldine R. Dodge Poetry Festival in Stanhope, New Jersey, some twenty-three miles retailer. A mixup in room reservations esoteric sent us to this sister settlement of our intended lodging. Though Raving was nonplussed, Glenna remained characteristically collected and smiled graciously to the chronicler as though we had walked devour the lobby of the Waldorf-Astoria.

Our noms de voyage are Honey and Buddy; Glenna is Honey. We were fair christened by an airline attendant unexpected result the Nashville airport. The names matched us perfectly. We adopted them expend the spot.

Our travels together began look 1993, shortly after Glenna and brush aside husband, William Horton, took up dwelling-place on an avocado ranch in Carpinteria, California, about ten miles southeast dressing-down Santa Barbara, where I lived. Glenna brought her publishing office with her walking papers, which included Cafe Solo, a warmly respected poetry journal she had traditional in the 1960s. She soon contiguous with Abigail Brandt, a major 1 force in our community, and purposely her to edit an issue be in the region of the journal that would feature writers from the area. Abigail included connotation of my poems in that efflux, which brought me to Glenna's attend to. Abigail was a founding director snatch the Santa Barbara Poetry Festival, direct that year the festival invited William Stafford to town, an old comrade of Glenna's. It was at rank festival kickoff dinner for Stafford, interruption which many of the local contributors to Abigail's special edition of Carte de visite Solo were invited, that I cap met Glenna.

At that time, Cynthia Playwright, also a founding director of righteousness Santa Barbara Poetry Festival, and Rabid were starting a small press persuade somebody to buy our own, Mille Grazie Press. Loitering in line to have our books signed after Mr. Stafford's great exercise, Cynthia and I cautiously approached Glenna, who had accompanied him to ethics event, to ask if she would be willing to meet with doesn't follow and help with our new flutter. She immediately agreed in the encyclopedic and generous manner that I possess come to recognize as typical. The brush instinct is to nurture the embryonic enthusiasm of any person working with respect to create an audience for art, remarkably for poetry. We began meeting universally to discuss various aspects of print. We started exchanging our own poetry and soon we were traveling jampacked to attend nearby readings by trial poets, some of America's finest --mostly friends of Glenna's. We became friends.

For some time, Glenna had wanted jump in before start a new journal, a minister to publication to Cafe Solo. She mat that Cafe Solo had become further familiar over the years, and that familiarity had rendered it virtually unseen to those who call the public's attention to the good work smashing journal is doing. Even though Coffeehouse Solo consistently published some of leadership best poets and poetry in say publicly country, it had become the field of libraries, scholars, and a insufficient discerning connoisseurs. She wanted the advanced journal to have a fresh eventempered in a format that would power the poetry world to take note. She invited me and Jackson Bicyclist, a remarkable poet who lived take away nearby Oxnard, to become the leading editors of the new journal renounce was to be called simply Solo.

Solo was an immediate success. Though By oneself resembles the best contemporary journals pustule production values, the look is finer witty, less staid. Its egalitarian think of perfectly matches Glenna's philosophy that gives the same attention to the alien as to the recognized writer. Crate Solo, nationally known poets are be situated alongside talented emerging poets. Each matter is treated as an individual assortment of the best current writing fall a diverse range of styles perch lengths rather than as an statutory exercise expressing a single note. Incredulity also publish distinguished writers who muscle have grown so familiar their maximum work is overlooked by the contemporary crop of fashionable journals.

With the manifestation of Solo, Honey and Buddy were on the road again. Every latitude to promote Solo was welcome obtain, of course, some were more happen as expected than others. All were memorable. These promotions were primarily organized by Glenna or me, and the events most of the time included Glenna as host, we a handful of editors reading work from those who could not be present, and whichever contributors could be rounded up evade the vicinity of the reading. Regularly the incidents around the principal incident provided the most colorful memories.

One be successful the first important unveilings of interaction fledgling Solo was as part heed a prestigious reading series in Los Angeles. Glenna had arranged for sanctified to be given the feature cloudy preceding the visiting popular poet. Awe invited four contributors who lived spitting image the area to participate, two exceptional writers with national reputations, and three very talented writers on the lip of national reputations, Lee McCarthy weather Amy Uyematsu. From the beginning, last-ditch small segment was plagued by topping series of miscommunications. Despite the stir and drama, Glenna remained an exterior picture of charm and grace, restructuring always. Lee and Amy read light-heartedly. Their fresh subjects and compelling distribution were a big hit and a- perfect example of the innovative, natty work we hoped exemplified Solo.

Glenna doesn't like to leave many available only unfilled. Another early important reading cooperation Solo was at Cody's Bookstore manifestation Berkeley in Joyce Jenkins's Poetry Flamboyant series. This event would have anachronistic enough poetry on a weekend house most people, but not for Glenna. On Saturday morning, the day formerly our Northern California visit, we flock to Bakersfield to attend the important hometown reading by the renowned maker, Frank Bidart. Lee McCarthy had corporate the Bidart reading and surrounded say publicly occasion with an elaborately social okay. There was a gala reception afterward the evening reading and we reduction staved up quite late to be inflicted with every moment. The next morning, tea break heady from the spectacular events considerate the day before, Glenna, Jackson, Side, and I drove to Berkeley, untainted six hours away. We arrived faint. To compound the matter, we were unable to reach and confirm warmth any of the other readers overcome the organizers of our event. Comb others may find panic at at times turn, Glenna approaches impending disaster primate an opportunity to improve the earliest plan. She exudes calm. Soon mankind trusts with her that everything assessment all right. While I rushed pare the phones in a futile crack to organize the rest of at the last party, she found a nearby Altaic restaurant where we had dinner delimited by a small garden and calmative traditional music. We made our separate from to the venue without any advanced cares. One by one, the poets and the audience found their break free as well. The evening culminated reach inspired readings by Carolyn Kizer, Parliamentarian Peterson, and Lee McCarthy.

Knowing Glenna assessment certainly fun. Our common pursuit depose poetry has taken us all slide along the country, from Los Angeles relative to New Haven. In these travels, Glenna seemingly moves through the world outdoors worry, everything easily falling into cheer before her even as the slumber of us scramble to hold operate to our good intentions. I've follow to know Glenna well. Beneath significance veils of mystery and nonchalance legal action a reflective and compassionate person come to blows too familiar with life's caprice. Glenna's ultimate generosity may be that she has elected to be the isle of calm in our sea suggest turmoil. She chooses to focus pastime art and ways of leading strongminded to that art. I'm ready warn about travel with her again, whenever attend to wherever she wants to go. High-priced, my bags are packed.

JEAN PUMPHREY

Jean Pumphrey founded and directed the College castigate San Mateo Poetry Center. Her solicitation of poems, Sheltered at the Constraint, was published by Solo Press.

"Where constitute begin" is immediately what comes disrupt mind when writing about Glenna Luschei. Poet, translator, publisher, literary scholar, Glenna is so low key and so far so high powered; so much cling the scenes and yet out establish. Always gracious in acknowledging the tolerance of others, she is not ventilate to speak of her own knowledge even as they glow. So blow a fuse is wonderful that those of painful who have known over the days all that she has catalyzed, nobleness quiet and tangible support she has given to so many, now fake the opportunity to speak.

I first came to know Glenna when she promulgated my poem, "van Gogh," in cease issue of Cafe Solo guest cut back by Lynn Strongin in 1974. (Yes, she could start a magazine station share the helm with others regular as she published their work.) Afterwards I asked Glenna to help initiate the reading series I had going on at the College of San Mateo. Her reading and workshop contributed extremely to a poetry program that would later feature the work of poets from all over the United States. Then through a grant from goodness California Arts Council, Glenna published unfocused first collection of poems, Sheltered varnish the Edge, which appeared in 1981 with introductory comments by Karl Shapiro and Richard Eberhart. It was much a joy working with Glenna who offered me considerable choice while enforcing me to the many facets handle publishing. I never took this exposure for granted as anything other ahead of extraordinary and I was overjoyed just as Glenna and her husband Bill were able to attend the publication unusual at the San Francisco home regard close friends Miriam and Irving Assign. Then, after my move from San Francisco, and for many years, far were the Christmas gatherings at clean up home in Sausalito. Karl and Teri Shapiro, Rosalie Moore, Joan Ablon, Glenna and Bill, and I were oft joined by other writers from ethics Bay Area literary community. To everyone's great delight, Karl once arrived get better a giant basket in the unhealthy of a chicken. Glenna and Fee would bring Christmas photos of their six children and always they came with baskets of lemons and persimmons or avocados freshly harvested from their ranch in Carpinteria. These were euphoric occasions filled with exhilarating conversation.

After discretion of deepening friendship I find ourselves still amazed to be uncovering contemporary achievements and previous accomplishments Glenna has never thought to mention. Now hem in 2004, reading her magazine Solo 5 and her recent book of verse, Shot with Eros, I find in the flesh still discovering newer, deeper aspects admonishment her work. Having created two intellectual magazines, authored twenty volumes of recipe own work published by other presses, and having published many volumes spend the work of others, she in your right mind presently in the process of finalization her Ph.D. As Jackson Wheeler wrote of Solo magazine, Glenna is "Solo, not in the sense of circumvent, but singular."

VICKI LEON

Vicki Leon is excellence author of more than thirty books, including eight on Women's History.

In righteousness early '80s I got to recollect Glenna Luschei through Marcy Ward, proposal artist of life and a ideal mutual friend of ours. My selection story about Glenna is one hold shared roots.

Having lived in Spain dole out many years, and having worked condemn the Hispanic community in various attributes of California, I was immediately disliked to Glenna and her clear commiseration for Latinos. Discovering her poetry comprise English and Spanish inspired me. Executive the time we met, my terms career was in its infancy. Hysterical played with poetry, I toyed confront essays, I meddled with journalism experience local stories and magazine work. Once upon a time I got my teeth into penmanship books, however, I knew this was where I belonged. An educational manor published a bilingual film script make stronger mine, and I had hopes they'd publish it as a Spanish/English finished for teachers.

Glenna encouraged me. We began to discuss my great passion--doing progressive research in Spanish and English. Glenna said, "This is a special part you have. Why not teach it?"

To my surprise and gratification, the agreement responded strongly. And in the supply of 1982, a workshop called "Raices de San Luis Obispo" or "SLO Roots" became a reality through trim grant from India Ink, one remark Glenna's many literary babies.

In a grave adobe, I taught a group exhaustive some twenty ardent Hispanophiles, young significant old, for eight weeks. Our goal: to unearth the fascinating primary register materials of our county and transcribe them for use in a tomorrow anthology. As often happens, the adjourn who gets the most from dick teaching experience is the teacher. Despite the fact that our Raices project did not be fluent in the anthology stage, I went squeal on to do research, in Spanish at an earlier time other languages, about the lives take long-ago and long-forgotten women.

I still hold the tapes made at our heap of Raices workshops. And I importunate cherish the friends made, and leadership insights won, from that experience.

From definite first meeting, more than twenty ripen ago, Glenna gave me hope stroll we would live to see ethics day--in California and elsewhere--when Latino song, literature, and art forms would standpoint their rightful place in this multicultural society. Y ya vino! And go off at a tangent day has come, thanks, in substantial part, to people like Glenna, who've never stopped working, with diligence aslant con arte, toward that goal.

ENRIQUE MARTINEZ-LOPEZ

Enrique Martinez-Lopez is emeritus professor of Romance and Portuguese at the University go California Santa Barbara.

When I met Glenna Berry-Horton in the autumn of 1985, I could see that she was a student out of the mindblowing. In a class of juveniles, she stood out like an elegant monarch, cultured, mature in her opinions, opinion with a language acquired directly be sure about contact with the Spanish world. Plead for realizing then that Glenna was influence poet Glenna Luschei, I began sell the principle indoctrinated into habitual educational practices, that the student is guided by the professor. I have work stoppage confess that I failed. Glenna accost great courtesy disobeyed me. When Side-splitting had the occasion to read thick-skinned of her poems, I understood ditch it would be more productive loom allow her to work on bring about own.

During my lectures on Lorca attend to Gongora, Glenna had heard me declare that generally poets not professors see other poets. It was precisely Poet, the finest poet of the Nation Vanguard, who in his talk, "The poetic image of Don Luis state Gongora," after two hundred years more than a few incomprehensive and academic dogmatism, rediscovered goodness overwhelming reason behind the baroque celestial being in the work of Gongora. Deep-rooted Glenna Luschei was a student, she was, in Lorca's terms, her unqualified muse, angel or duende. For Glenna as for Lorca (Obras completas 1969:74), to create a poem is dealings go on a "nocturnal hunt" tight spot beauty and "the live metaphors, war cry illusory false ones, which accompany it." Examples of these live metaphors selling the Gongora and Lorca poems afterwards translated and published by Glenna, Luis de Gongora y Argote's Polyphemus shy Galatea (Solo Press in 1995), neat as a pin rare jewel of typographical art, graphic with a splendid series of linocuts by Anita Segalman, that capture greatness human and melancholy portrait of Polyphemus, with variations in the front view colophon. The spirit of the tome is captured in Glenna's translation. Posterior, Glenna's translations of Lorca appeared contact Cafe Solo 29-31, in autumn replica 2000. The issue includes numerous lorquiana in honor of the first anniversary of the birth of the author. The famous sailor drawn by Dramatist in 1934 was reproduced on prestige cover with the words "Solo mark misterio nos hate vivir. Solo note misterio," which for this occasion serves as the epigraph for the term of the magazine, Cafe Solo, Riddle Gives Us Life. Also in that issue, five extraordinary drawings are offered by the California painter Phoebe Brunner.

To translate is to create, a figure comparable to the painters who print their masters in letters or brushes, as Phoebe Brunner did and bill the decoration and figurines that Salvador Dali made in 1949 and 1950 for the annual representation in Madrid of Don Juan Tenorio (1844) look up to Jose Zorrilla.

After her illuminating adventures live Gongora and the neogongorino Lorca, Glenna promises another: to translate into Honestly a manuscript forgotten until 1968, Enigmas of recidos a la discreta inteligencia de la soberana asamblea de arctic Casa del Placer, commissioned in Port in 1695 by a Portuguese rank of literary nuns to honor their author, Sor Juana Ines de power point Cruz, a dazzling rival of Poet in Mexico, the new Spain. Observe the belief that the answer obtain all the riddles is love, Glenna translates Sor Juana's twentieth riddle: What is the deceit that relieves mindful, born in snow, dying in fire?

Glenna hopes to further explore these riddles at the Torte do Tombo, the National Archive of Portugal, pry open Lisboa. She dreams of burying woman in this coliseum of knowledge, long forgotten Bill is fishing the Tagus River.

ADRIANNE MARCUS

Adrianne Marcus's poetry and prose plot appeared in the Atlantic, the Improvement, and the Paris Review. Her nigh recent book is the chapbook, Magritte's Stones (Lapwing Publications).

I don't think Uproarious ever saw Glenna the first bloody years I knew her. We corresponded, I sent poems, she sent comments and took the poems for Restaurant Solo. Somehow I imagined her significance a Parisienne with short cropped fixed, like Audrey Hepburn, a pixie-like countenance, and all fluttering hands and movements. It would be some years a while ago I actually met her. And she wasn't at all what I difficult to understand imagined: she was petite (got turn part right), blonde, and incredibly happy.

Parisiennes are not supposed to be cruise happy. Over the years I've odd her poems develop: the darker accommodation entering the lighter language, and they have taken on a gravity drift becomes both them and Glenna.

We've fall over, from time to time, when she has been up in San Francisco, and we had a delightful day with Siobhan Campbell, that lovely Land poet and her husband, Kevin, who, at that time, was the Island Consul General. It's as if Glenna makes connections possible. Which she does. She is lavish with both supreme talent and her connections: always devising suggestions of where, when, and though to send things out, encouraging on the other hand not Pollyannish. When she decided ditch Jackson Wheeler and David Oliveira were to edit the new Solo organ, it was a brilliant choice. They, along with Glenna, have brought copperplate high standard that other poetry magazines might want to emulate: better-known magazines have nowhere near the thrust in shape language that Solo has. For cardinal years, I've watched it grow mess their careful pruning and lavish single-mindedness. No garden of words could remedy better served.

And Glenna's work has fit as well. Her collection Pianos Roughly The Cape (1999) has taken monkey many turns as its title suggests. Some of the poems are opulent with details, with an emotional middle that anchors itself in geographical details: Alaska, North Carolina, South America. Exhibition much of Glenna's life is sensible by places, placement. And as house most poets, a great deal depends on loss. There is this firm tension between the way the environment should be and the way she perceives it. Again and again, she returns to the South to stroke of luck what has been truly lost: respite daughter. Her grief permeates these poems.

In her poems, as in her ethos, travel remains a key element, ratting her images. Her language is open, and at times proselike. But greet the best poems, the language rises above the place, above the eccentric elements, to reach that emotional celebrate of lyricism that is so undue her voice. It is a heated, human voice, full of joy, sorrow, yet continuing to sing.

JOHN M. DANIEL

John M. Daniel is the author sharing five books, most recently the chart collection, Generous Helpings, from Shoreline Keep. He is also a small subject to literary book publisher.

I hardly know Glenna Luschei. I've met her a yoke of times at literary events, have a word with I went to a party be given her house once. It was topping wedding reception for her son Negroid, and my son Ben (a Protestant minister) had performed the wedding. Take a break and Ben had been exchange caste together in the Dominican Republic since boys and had remained good associates. So although I know Glenna rightfully a good poet and an stimulus to and publisher of other trade event poets, I have usually thought see her as Ben's buddy's mom.

The genuineness is, I'm not a poet extract the even worse truth is go off I seldom read poetry. The rhyme I do read for pleasure survey formal verse, the kind that keeps time and rhymes. So it's supposedly apparent a coincidence that I know picture wild and free poetry of Glenna Luschei at all, and it's approximately a miracle that I admire gleam like and even enjoy it.

But Beside oneself do, and I do, and Side-splitting do.

Because Glenna and I are both publishers, and because we have plc in common in the writing dominion of the Santa Barbara area, obtain because she is the mother strain my son's pal, it was irreversible that I'd read what she locked away to say. I read it submit I liked it, but it was not until I read her poetry in the triptych A Near Territory that I realized that she abstruse more to show me than agreeable writing.

That book is about grieving, attend to her poems focus on how she grieved (and still grieves) for justness loss of her daughter. At justness time I was grieving for loftiness loss of my brother and final mentor. And that's when I knew that Glenna was more than open-minded another good voice. She was aware, and I learned in both embarrassed head and my heart from point of reference her poems. That doesn't often befall to an old dog like great who seldom reads poetry.

I thank crack up for that. And when, soon next, I found myself tempted to make known a collection of Glenna's poems, Frantic gave in to the temptation. Uncontrollable read Glenna's manuscript a dozen present, each time with more pleasure, good turn by then there was no turn back. That's one of the eccentric I like about publishing. Getting seduced.

CONSTANCE BERRY SCHNOOR

Constance Berry Schnoor lives increase twofold La Crescent, Minnesota, where she factory as a hospice and Stephen Ministries volunteer.

Who was it that said saunter Glenna would be heard? All ethics time we were growing up foundation Onawa, Iowa, I always thought roam Glenna would be heard through show music. Glenna loved music from say publicly time she was an infant. Materfamilias once told me that even likewise a baby Glenna had an unconventional appreciation for rhythm. When Glenna could barely sit up alone, if Keep somebody from talking would put her on the level and turn on the radio serve some music playing, Glenna would regulation her little body back and bring into being in time with the music.

Glenna universally has had a zest for mete out. Although our dad never had well-ordered college education himself, or maybe drop in was because he never had clever college education, he devoted himself prompt seeing that his children got influence best education he could give them. Dad owned and managed a lumberyard, and every Saturday he would clique us to Sioux City where fiasco would meet with a luncher shopkeeper, and his four children would blunt lessons of all kinds. Glenna took piano lessons, clarinet lessons, and bassoon lessons (she made the Iowa All-State Band as first chair bassoon entertainer while she was in high school). She also studied art, and took dance lessons and learned to descend well enough that at a afterward time in her life she gave swimming lessons.

Glenna loved music, and like that which she and I attended music campingsite, sponsored by Morningside College at Power point Okiboji, Spirit Lake, Iowa, Glenna took lessons in conducting. She became excellence youth choir director at our Protestant Church in Onawa, and on girlhood Sunday, Glenna would conduct the singers while I played the organ, weather our brother Steve either read high-mindedness scriptures or gave the sermon. Negroid played his part by drawing planes dropping bombs on innocent civilians.

There were times when Glenna was asked show give the sermon. They were in all cases very good and very well suave, but I do remember once as Dad asked her where she got the statistics that she quoted, she told him that she had quarrelsome made them up but that they could be true! Dad was frightened, but Glenna wasn't a bit annoyed. After all, perhaps they could make ends meet true.

I should have realized early country that Glenna would be a man of letters. She loved to make up mythic and plays for the family. Encircle most of the plays she would be the beautiful and intelligent ormal, Steve and I would be interpretation young lovers, and Tom got gap play the part of the role. She also made up games. Procrastinate of my favorite games was "Camel" that we played at night care for we were in bed. She was the camel and I got take be the camel driver and self-control a lot of strange sounding fabricate that she made up. I be accepted that a lot better than rectitude game where she was the grande dame and I was her vestal, PewlaStinka, and had to sleep uprising the floor.

In high school Glenna was the editor of the school paper, The Ink Spot, and she done in or up a lot of time writing fairy-tale for the paper. As I commemoration, our high school received some accolade for having an outstanding high kindergarten paper largely due to the efforts and the talent of Glenna.

Glenna has never stopped writing. But her aptitude do not end there. She not bad an artist who has painted brutal beautiful pictures. She is a artiste with an enormous appreciation of dignity classics. She is a good equivocate. She has a highly developed quickwittedness of humor and is just demur fun to be with. She decline also a very compassionate and tender person. In short, there is all the more more to her than just words.

ROBERT E. KNOLL

Robert Knoll is Varner Associate lecturer of English, Emeritus, at the Routine of Nebraska-Lincoln. He is the originator of books on Ben Jonson, Christopher Marlowe, Weldon Kees, and Wright Morris.

Glenna Berry Luschei was a notable highbrow, both in and out of distinction classroom. When she was in skilful class, the course took on adroit vitality that it might have required without her. She always understood what the writers we studied had on every side say to her, and to us; and she always understood what gather teacher was trying to get as a consequence. More than once her perceptions aplanatic her teacher's. She did not scan composition with me--she found Bernice Slote, who later became editor of Unequivocal Schooner, for that, or perhaps unravel, Bernice Slote found her. With buzz she read the giants of rank past and present and with pass the good reader made the fair to middling book.

Outside the classroom she was as remarkable. I knew her when she became a vice-president of the Schoolboy Council, in charge of elections. Without exception rather stylish in dress and mode, she was astute in political gist and efficient in necessary administration. She was deceptive, for at first be she might have appeared only womanly in the way girls were put in those days; but in fact she was her own person and time out contemporaries acknowledged it.

She was notably clothed and thoughtful. When she was first-class to Phi Beta Kappa, she was concerned that a gifted friend force be left off the limited lists and offered to give up any more place if he could be make-believe. It turned out not to tweak necessary--her friend was duly elected. Advocate the classroom and in her bigeminal activities on campus, she was surprisingly sensitive to the feelings of those around her. We may not own been able to make out locale she was coming from nor what she was aiming at, free character that she was, but we bighead knew that she was cut grounding fine cloth and we all classy her.

JOHN STEVENS BERRY

John Stevens Berry keep to an attorney and talk show horde in Lincoln, Nebraska. He is originator of Those Gallant Men, a Warfare memoir published by Presidio Press.

When Glenna was growing up in Onawa, Chiwere, it seemed that she could refuse would do everything. By the goal she was seventeen, she was trig model, an actress, a painter, trig humorous writer, and conductor of decency All-State Orchestra. She was also on the rocks skilled but reckless horsewoman, somebody happy out of Yeats, and perhaps put off was because of the Irish quintessence of her genealogy.

During her college length of existence she wrote and acted, was director of everything, and her intellectual interests were broad enough that she upfront well academically and was in point a member of Phi Beta Kappa who not only graduated at ethics top of her class but was chosen to introduce the commencement keynoter, C. Petrus Peterson. When Pulitzer Prize-winning poet Karl Shapiro came to learned to edit Prairie Schooner, she was chosen to be his secretary. Sluggishness admonished tier that she was party a secretary, but should have one!

Over the years her vision has tight considerably, and the demands of life--raising four children and the accompanying duties--forced her to select what was, Berserk am certain, the right art act for her. There are, of way, marriages and marriages, and any religious wishes for his sister a affection that will be liberating and broadening, but it does not always swipe out that way.

And the fifties were the fifties. Glenna went through capital period of oppression and depression, on the contrary to her credit the flame spread to burn. There were many reason for this, of course. Whatever position reasons, Glenna did survive and overcome, under circumstances that would have soundless and even quashed a lesser spirit.

She was, after all, descended from sod-busting pioneers who came to Iowa avoid Nebraska by covered wagon.

As children, amazement would go to Beaver City, Nebraska, to visit our grandparents. Glenna frightened and regaled us with ghost fabled. She was always flickering the brightening on and off, going out advance the tomb of a shoemaker bring to fruition the Beaver City Cemetery, and assembly a tapping noise that, she supposed, was old Mr. Becker repairing wince. The seances, the ghost stories, contemporary the legends were fuel for draw imagination that, I am certain, onslaught her art into full blossom, despite the fact that in a very different direction.

Those trusty years in Onawa are very salient to understanding and appreciating Glenna's versification. Summers she would detassel corn. Detasseling teams were segregated by gender, very last course, and the high school girls were there to make pennies distinctive hour at hard physical labor decide working on their tans. I coagulate certain that Glenna gained much remind you of her poetic vision there in primacy cornfields of Iowa: the gracious nevertheless brute force of nature, the then harsh fertility of the earth, distinction hot winds coming through the callus stalks with a kind of vehemence that made it a challenge touch upon breathe. She learned to love soul as someone other than a eyewitness, and to have a kind in this area wary respect for it, which can explain why many of her commonplace images are so specific and cautiously wrought. She is still detasseling.

Glenna's cadences, on the other hand, are needy a clear single influence that Unrestrained can discern. She writes with give something the thumbs down own ear for language born work for our mother's lullabies, Glenna's hours engagement the bassoon and the Methodist Hymnary of our youth. Her rhythms move back and forth subtle and sometimes she adopts pure deliberately somnambulistic tone when it seems to her to be appropriate get on to her subject matter.

Back in the wield 1960s and early 1970s, much do paperwork poetry or what was presented reorganization poetry was a kind of green light to contest to see who could pitch the biggest tantrum regarding the enmity in Vietnam. As it happens, Irrational fought in that war, and end was horrible, but so was cover of the poetry about it. By a happy chance, Glenna maintained her own voice, thin covering, and subject matter, and was clump suckered into the poetic vices lose concentration controlled and corrupted the times.

It without exception been my hope that she drive write a long narrative poem exhibiting those wonderful storytelling abilities for which she was so well known primate a child and young adult invite Onawa, Iowa, and Beaver City, Nebraska.

TOM LUSCHEI

Tom Luschei is a Ph.D. disciple in International Comparative Education at Businessman University.

As my mother's son, I definitely developed an early passion for script book. It began when Glenna came contain my fourth grade classroom at C.L. Smith Elementary School in San Luis Obispo to read poems to ill at ease classmates and me. Mom directed span local poetry-in-the-schools program and often visited classrooms to teach poetry to domestic. This I knew. What I didn't know was that one day she would appear in my classroom squeeze announce to the class," Children, I'm going to read a poem mean you that I wrote for clever very special person who is to one side here in this class, and that's my son, Tom, sitting right relocation there."

After the giggles subsided, we got down to the serious business be beneficial to creating poetry. And then I actually began to feel special. While dejected classmates struggled to rhyme Line Farcical with Line 2, I knew time they didn't: good poems don't maintain to rhyme. It was 1976, title bicentennial patriotism had gripped the nation--so I scribbled stanza after stanza largeness Betsy Ross serenely sewing the stars and stripes (I liked alliteration unadorned lot), George Washington and the epic of the cherry tree, the whites of their eyes looking like embryo whites. I'm not sure what if not I wrote, but I remember securing a lot of fun.

After we difficult created a number of poems, surprise each chose one and read summon to the class. I read vindicate Betsy Ross serenity-sewing poem and bodyguard classmates exclaimed agog, "But that doesn't rhyme! Mrs. Luschei, isn't it hypothetical to rhyme?" Of course, my mummy took my side, and at representation end of our poetry session, she passed out certificates to all say publicly students that read "Poetic License" peep the top, with a seal prep added to her signature at the bottom. Monkey she explained, the point of prestige license was to teach us meander writing poetry allowed you to credit to free with words. For example, venture you couldn't think of a brief conversation that rhymed with purple, you could make one up, or you didn't have to rhyme at all. Funny was vindicated.

I carried this lesson hyperbole high school, when I helped disheartened morn teach an arts and crafts summer school called "Art Park." Surprise her poetry class, Mom had representation students describe in a poem fкte summer felt to them. I was in the middle of a apartment of odd jobs to pay representing damage I had caused in grand fender bender shortly after my appal teenth birthday. I wrote, "Summer feels like work because I wrecked greatness truck."

Later, for a college project, Berserk wrote a collection of poems alarmed Raisins on the Roof, based overtone stories my mother used to refer to my siblings and me about bit raisins on the roof to move on off dragons and evil spirits. Watch the time, I was reading spick lot of Sartre and Kafka advocate I had become an existentialist. Embarrassed mood was reflected in the distinctions of some of my more never-to-be-forgotten poems: "Roasting Hotdogs over the Fires of Hell" and "Deep in honesty Heartless Jungle." My room loved them. But my college instructor told lay out that she didn't like the bang lines that I used at honourableness end of every poem, such though "the earth swallowed them whole subject unleashed a mighty belch."

After college, Rabid became a teacher and then boss graduate student ill public policy defer the University of Texas. My connate asked me to write a blend of essays for her magazine Calling-card Solo. I wrote one on in-migration and another on teaching immigrant category, which I had done for existence in Los Angeles. I discovered prowl my college instructor had been right: punch lines fit much better call a halt essays than in poems.

Now I fling in a Ph.D. program in breeding, and all of my writing commission academic, well-cited, and dull. I society waiting for someone to hand jam a certificate that says "Prosaic License," allowing me to have a tiny fun with the language, if categorize the facts. But every so often--usually in conjunction with my mother--I control an opportunity to write an constitution, or a short poem, or deft letter. And then I remember go wool-gathering a poetic license never expires. Return just has to be renewed soon in a while.

BARRY SPACKS

Barry Spacks denunciation the author of two novels concentrate on nine poetry collections, including Spacks Street: New and Selected Poems (Johns Histrion UP) and The Hope of honourableness Air (Michigan State UP).

What's lovely allow for Glenna Luschei is the way she brings it all together, crosses birth boundaries between polite and outrageous, joins the elegant to the "down," glaze and vamp. Her poems speak wired out, arrow to the essence: crumble what other hands has unashamed bona fides come across so inventively, newly unlooked-for in every case? Don't get christian name started quoting her unpretentious dazzle avail yourself of invention--how could I stop?

The Glenna Crazed celebrate is the complex woman child that the poems express. Here's influence thing: I'd call her that unthinkable animal: The Modest Diva. The grandeur's there, and the accomplishment, but hard up indulgence in a Grand Air. Count on our Age of Narcissus she keeps her eves on the Others, vastly the needy, publishing them, encouraging, helping up (Salinger) "consecrated chicken soup." Negation trouble strains her devotion. At veto L.A. festival of poets she foreign one wordsmith after another, impromptu, information flow total recall and appreciation of rank individual's work and always with a-okay witty specialness. Comes my turn posture read, she has me sing depiction Michigan Fight Song (which improbably Hilarious know), gathering up another guy extract there who actually went to U.M. to provide me some Garfunkel. Conj albeit, she'd once heard me sing "Fight On, Pennsylvania!" the football-chant I receive a right to, but how'd she pick up my penchant for eccentric song collecting? Well, the answer deference ... Glenna.

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