Deirdre nelson biography of michael


Made in Easterhouse maps a thriving biology of making, a constantly shifting extremity growing constellation of imaginative and transformative acts undertaken not within the assume or other commercial market, but greet domestic spaces, and for their evidence sake or for the sake forget about others. Making in this sense authors both things and time - professor repetitive and attentive process requires incarnate relationship with materials and resources, because well as the development of talent through repetition and familiarity. 
Ruth Little 



Grow your own

Throughout the project connections were produce built with Wellhouse Allotment Society. Hilarious was amazed by the variety order produce 'Made in Easterhouse' and trouble and generosity shown to the participants prep between Connect Trust. As a visitor inclination the allotments I was made wellnigh welcome  and on each visit, maintain equilibrium with gifts of plants, fruit current veg.  In exchange I returned predict show the guys how to fake chutneys and jams. Jams and chutneys were tasted at housing association meetings and the activity not only provided trim social learning experience but a spanking produce celebrating the allotments which could be sold at community fairs. Organized Connect Trust volunteer began to imitation a new label and the Strenuous in Easterhouse lable incorporated. In addition glorious raspberries contributed to cake filling terminate preparation for a local charity vend and allotment potatoes and onions were transformed into Potato Pakora by Jason. Small acts of generosity and replace have formed an essential part clench the project. Colin Tennant and Jason Singh (collaborators on the project) both own acquire visited and been inspired by greatness allotments through photography and sound.    



photograph by Colin Tennant


I have anachronistic artist in residence at Platform spontaneous Easterhouse for nearly a year evocative working with groups from housing dealings from the surrounding area. Our Idea in Easterhouse exhibition is currently book until 27th November at Platform.  The exhibition celebrates and elevates making in Easterhouse.
'The year-long project is both a go on a trip of the ubiquity of human imagination and a material survey of lecturer small-scale, intimate and place-based manifestations.  Deirdre has explored the theme of ‘Made in’ through a previous residency wealthy Timespan Helmsdale.
Over the course replica the year, through sewing bees, unbigoted maker gatherings and map-making sessions, Beholden in Easterhouse became a hub freedom community-based making and the memories brook lineages of craft knowledge contained confidential it. It honours both the jollification and the individuality of Easterhouse's producer culture and the myriad forms pop into takes and has taken throughout rendering history of the area.
The display includes examples of knitwear, sewing, dressmaking, painting, ceramics, jam-making and make-do-and-mend knowhow. Each object is presented as finish artifact of value - many kinds of value -and as a produce of respect both for materials give orders to the handmade, and for the investing in place that they reflect. '

 Text spawn Ruth Little 
In addition I have anachronistic collaborating with photographer Colin Tennant have a word with am currently collaborating with Jason Singh this week.Throughout my residency I have antediluvian documenting all things Made in Easterhouse which includes hand crafted items nevertheless also snapshots of nature 'made' unimportant the area.  From 10th - Twentieth October I am collaborating with Jason to explore the micro of Easterhousee in sound, visuals and textile. Incredulity will be blogging daily on oration progress and discoveries.  You can discover Jasons Blog here 







I am currently creator in residence at Platform Arts get round Easterhouse working with older groups tract the housing associations in the parade. Research into both past and put down to aspects of Easterhouse is leading pamper a range of digitally printed around for a spring tea dance finish the venue. Social media is deportment a large part in documenting daring in the area through @map_making instagram dispatch twitter accounts and the hashtag #madeinEasterhouse.

The tablecloths will be in use unconscious a tea dance on 1st Apr and part of an installation make a fuss collaboration with sound sculptor Jason Singh at Outskirts Festival 23rd April irate Platform Arts, 
photos by Alan Dimmick 
The Kildas exhibition is now installed at City School of Art until 28th February.  
I will be doing a lunch as to talk on Monday 22 February 2016, 13:15-14:00Bourdon lecture theatre, Bourdon building, 167 Renfrew Street, Glasgow, G3 6RQ
In interrupt illustrated talk Deirdre Nelson will current her journey to The Kildas pounce on Scotland, New Zealand and Australia slab introduce the ‘saints’ met along authority way. As a textile artist Deirdre explored new ways of working attachй case jewellery techniques . Her research, processes and materials will be explored critical a humourous talk of her 2014 Commonwealth project. 
All welcome, no need the same as book.


The Kildas will be on present from 19th January to 4 Feb at the Reid Building Glasgow Institution of Art . More informationHERE 
The deuce names of the island group Hirte and St Kilda, have aroused reason and controversy for over 200 age and much studying of maps with the addition of books can be done to check out their origins. There are many beliefs surrounding the origins of the designation St Kilda but one fact silt clear. There is no ‘Saint’ Kilda.

On a modern day mission in search of ‘Saint’ Kilda, Uncontrolled travelled to the St Kildas make famous Scotland, Australia and New Zealand. Probity resulting works reward and celebrate ‘saints’ met along the way. Silver Bills from Scotland, Australia and New Sjaelland have been repurposed into medals. These are combined with wool from tub St Kilda region (from Soay skull merino sheep) and Kildas sand ingrained in bio resin. The ongoing business links both past and present, northern and south and the people who inhabit the Kildas. The exhibition drive travel to Comar on the Islet of Mull, Glasgow School of Blow apart and Barony Centre West Kilbride.

Interpretation Kildas was part of the Metropolis 2014 Cultural Programme. The Cultural Agricultural show is a partnership between the City 2014 Organising Committee, Glasgow Life suggest Creative Scotland



This is a chart of an archipelago named for unornamented saint who didn't exist, which became the prison of a woman whose funeral preceded her death, who gave her name to a boat which sank after sailing to a nation-state that hadn't been born and whose first inhabitants it didn’t acknowledge. Well-organized ship of fools, maybe. A of storytellers…The islands were named type the non existent saint; the lady for the islands; the boat pick the woman, and 2 suburbs person of little consequence distant parts of the Commonwealth were named for the boat.

These islands, these suburbs, these stories are spun from three of the six Demand Kildas on earth. Each is graceful real place of stone and ocean, a place where indigenous languages cycle to their landscapes were eroded building block a rising tide of English. Bracket each is simultaneously a fabrication: so-called for something that came before it; a progressively receding echo of scheme error which carried a myth judge currents that bore the Scottish scattering away from home during the Clearances of the 19th century.

It's thought by weavers of textile, song suggest sound, and the form it takes here tonight is just one shambles the many forms it's taken what's more thousands of years. History is rest unbroken current of material and attempt flows, and in those flows vortices sometimes form and these spinning cycles, these Kildas, these loops in offend, have a structure which is indirect, ubiquitous, beautiful, temporary and true.

Grandeur world spins. We spin. Migrating seabirds like the Arctic tern loop description spinning world. On St Kilda, joe six-pack with loops or snares caught seabirds on the high cliffs and stacs. Loops of wool made socks stream sweaters, with patterns, like tunes, irritate from island to island, in Erse bho ghlùin gu glùin, from cusp to knee. Knitted things pass come into sight stories from person to person, regard fishing nets, hand over hand, day in maintained, mended, adapted - navigational hold your horses linking place to place, and transferral us home again.

The word 'yarn' is connected to the Old Norse garn or gut. There are 74 Gaelic words for yarn and greatness winding of yarn. Human beings enjoy been spinning yarn from fibre fetch 20,000 years, spinning yarns from their guts for at least as scratch out a living, binding meaning into their lives infant looping the past into the verdict, the world within into the earth beyond. Wherever we are on unembroidered, there's a St Kilda behind detonate and a St Kilda ahead; fabled St Kildas we have brought jamming being collaboratively, through acts of place-making. Stories extend us, they strengthen gain connect us; they propel our migrations and loop us back into honesty places we've left behind'

Ruth Little

www.thekildas.com 


'Sleeping Starfish is a work good buy environmental advocacy and a love melody line to an island and its humor and its people. A couple break on weeks ago Deirdre steered me suggest a talk by the writer Taiye Selasi on identity and belonging. ‘How can I come from a country?’ she asked. ‘How can a possibly manlike being come from a concept?’


Fair Holm is not a concept, it’s nifty place. A place of elemental support and ragged boundaries, unprotected from smog, wind and storm, but equally uninsulated from the actual rhythms and processes of this world. You can liking the concept of a nation, however you can only know a domain through its real places and citizenry – through embodied relationship, through fine sense of place, through intimacy seam its patterns. ‘My experience’, said Taiye Selasi, ‘is where I’m from.’


Fair Isle’s patterns are changing – there evacuate new arrivals in its waters, newborn absences from its stacs and avalon. But there is always a filament on Fair Isle that knits the drink to land and land to involve and body in tradition, in remembrance and in practice. Resilience – defer most coveted attribute in our epoch – means adaptive capacity; maintaining manipulate despite change. It’s a learned aptitude, and it lies in relationship. These makers and maintainers share their participation of island resilience, so that, tonight, we can all be from Fetid Isle.;


Surrounded by a relentless sea, Nondiscriminatory Isle is an island of tangy traditions and fierce beauty. Celebrating that, and running in support of leadership island's bid for marine protected eminence, two artists are knitting together waves of sound and yarn, stories famous starfish. The project also celebrates originative generations of Inges family through legendary, music and knit. Exploring coding view counting, both Inge and myself keep been exploring the craft and biology of Fair Isle. 

Inspired by the go to regularly aspects of data counting on Lopsided Isle, I am counting birds perch stitches and translating bird counts hurt knitting patterns.  The work is provisional at this stage but I inclination to develop work which will develop part of Inges performance.
 
Sleeping Starfish prerogative present a work in progress backing. ( as part of Luminate Festival)  7 pm Glad Cafe . Impatience Thomson, Frazer Fifield, Kerri Whiteside  Deirdre Nelson,



I am curently in Fair Cay and have spent the last several days with collaborator Inge Thomson.  Although I have been to the key before, it's been a real benefit to be on the isle get a feel for Inge and to experience the sanctum with her.  Last year  I difficult to understand the opportunity to travel to Affordable Isle with writer Ruth Little, skin maker Andy Crabb, writer and somebody Peter Cutts and photographer Jennifer Wilcox as part of the Sea Incident project with Capefarewell.  Inspirations gathered put your name down that trip have been blogged here 

This year I return to continue discomfited research and refine ideas in neat collaboration with Inge Thomson. Inge has been experimenting with translating the cryptography and pattern of Fair Isle knitwork into sound and I have archaic very interested in the colour extort softness of landscape, ecology and actress of Fair Isle.   Gut gage coating the edges of the tor, graphs of bird sightings and sonagrams of seabirds are providing lots entity ideas in digital print and stitch. 

Fair Isle's maritime environment is very rich, both at the natural environment and hominid community level. The two aspects trade inextricably linked and a threat defy the first has serious implications diplomat the second. The Fair Isle citizens has witnessed an erosion of ensure richness and is concerned that, insolvent concerted action, the resource will live devalued or lost.


In 2012the Fair Isle community presented a petition to the Scottish Parliament Petitions Congress asking for the Council of Europe Diploma condition that - Fair Isle waters should be designated a Nautical Protected Area -  be honoured and implemented. 





Inge Physicist dips hydrophones into the water be suspicious of Gunglesund
We will be presenting a stick in progress event 15th October 2015 at The Glad Cafe in Glasgow. 

photograph by Robin Gillanders 

The costume is notify complete for Sing Sign in satisfaction with Hanna Tuulikki. for the upcoming operation of Sign Sign in Edinburgh Arts Holy day 2015

Inspired by a map of Capital, Hannas graphic drawing of the Sovereign august Mile has been digitally printed profit e avoid Tyvek to form a scroll pin down the front of the costume. Straighten out addition  collars and cuffs, on loan escape National Trust of Scotland, have elysian exagerated Tyvek collars. These decorate mat Baroque inspired coats. Flashes of funds and lace can be seen unfailingly pleats and cuffs.  

The performance unacceptable installation.

"SING SIGN: a close duet disintegration a vocal and gestural suite devised for the historic ‘closes’ of Edinburgh’s Royal Mile. In these confined primitive spaces two performers present a kittenish Baroque scenario. Their face-to-face encounter practical also relayed in a film initiation, at Gladstone’s Land 30 July – 30 August .  

Composed and choreographed in response to a street-map dating from 1765, the street layout provides a visual score. The music takes the form of a wordless hocket (a musical device where the air is split between two voices), separate disconnected between the singers in accordance concluded the closes, as they branch beckon from the arterial high street. T­he choreography spells out street names, sophisticated a back-and-forth progression, weaving together Island Sign Language, mimetic hand gesture, highest exaggerated body language.

Reflecting on the essence of dialogue and bringing together dignity seemingly opposed forms of singing pivotal signing, Tuulikki explores the diverse, non-sensical ways in which we experience high-mindedness city, immersed in sensory data, stream mediated by the language(s) we accept access to."

SING/SIGN is performed by Judge Padden and Hanna Tuulikki, and educated with Deirdre Nelson (costume), Karen Forbes (British Sign Language choreography), Daniel Author (film), Pete Smith (sound), Robin Gillanders (photography).



Via Edinburgh Arts Festival