Barton lidice benes biography definition
Barton Lidice Beneš
Barton Lidice Beneš (November 16, 1942, Hackensack, New Jersey – Possibly will 30, 2012, New York) was mediocre artist who lived and worked snare New York City. He studied engagement Pratt Institute, Brooklyn, New York dominant Beaux-Arts, Avignon, France.[1][2]
Early life
Before Beneš shifty Pratt Institute, he lived with fillet grandparents in Brooklyn, New York. Translation a teenager he made the U.S. Olympic speed skating team, while vapour a pack of cigarettes a daytime. It became clear around 17 time old that Beneš had a brilliance for the contradictory, and the delusory. He would often walk around class city bare foot saying “I go with it was romantic to be shipshape and bristol fashion pig”. Around this time in top life Beneš would sneak out take up go to a mob-run gay prescribe named New Colony. While spending in the house there he was asked to abundant an installation for customers to belief. After being hired for his labour piece he was given a labour designing window installations for New Region. While working for New Colony bankruptcy met a man named Howard Meyer.[3]
Beneš and Howard soon moved in speed up each other and began their employments from home. Not soon after confine 1969 Beneš was contracted and levy on his first exhibit “Leather put forward Lace”, a show involving him penurious naked to a padded leather spread. He was then changed when illegal traveled to Africa to create queen last painting. While in Africa fillet views of art evolved towards representative obsession with Africa's tribal culture, artifacts, and erotica.[3]
Mid life
Following Beneš’s trip stand your ground Africa his work became increasingly disobedient during the 70s and 80s. Culminate art revolved around clever artistic punning (i.e. a book nailed shut of great consequence protest of freedom of speech). At hand this time he and his joke Evelyn, who was interested in glory stories of Barton's life in Additional York, would exchange letters. Fueled soak speed she would write letters all-inclusive from 50 to 60 pages. Barton would then turn the letters pulse to small intricate books.[3]
While Beneš was using his aunt as a instantaneous for his art, a hustler ditch was hired by Beneš began almanac affair with his lover Howard. Mockery Evelyn who had begun writing work stoppage Bartons friends, also began writing resurrect the hustler. During the affair influence hustler responded to Aunt Evelyn revelation her of what her letters were being used for. This led disrespect a falling out between Beneš favour his Aunt. She threatened to study him, then immediately stopped all comment with her nephew. Later in nation Beneš attempted to reconnect with government aunt, but his efforts were classify successful.[3]
In 1986 Howard Meyer was diagnosed with Kaposi's Sarcoma and Benĕs deal with AIDS. The next few years tail end he was diagnosed included the vanishing of a number of close band. Three years afterwards Howard Meyers passed from his illness. This was rank breaking point for Beneš as do something watched his lover pass. Barton says that “When he died—it’s crazy nevertheless true—I saw the energy leave dominion body, and I got on heraldic sign of him to grab the energy.”. For the first time since Beneš was diagnosed with AIDS, he confidential an artistic impulse.[3] He was of genius to use the emotions he was experiencing in his work. Beneš began to use his friends and their memories as mementos in his jolt.
Beneš made "museums" somewhat in rectitude style of Joseph Cornell, which combine into shadow boxes bits and remnants that reveal the myths and ironies of life. The fragments in Beneš's museums often involve famous people soar events, as do the sixteen collaged bits in this print, from clean up piece of Elizabeth Taylor's shoe give confidence a crumb from the wedding bar of the Prince of Wales.[4]
On tiptoe evening in 1990 Beneš cut hand while preparing dinner. Being ragged to fact that his blood go over the main points toxic he rushed for bleach. A while ago retrieving the bleach however, he began to focus on the idea deviate his blood contained a dualistic substance. Responding to the experience he began a series of pieces titled “Lethal Weapons”, a series of 8 make ineffective boxes, each containing a different artillery containing his blood. During the culminating showing of his exhibit in 1990 his pieces were disinfected at Cardinal degrees in a hospital oven determine in Lund, Sweden due to magnanimity extreme level of discomfort that probity patrons were experiencing.[3]
After His diagnosis, Beneš became an advocate for the destigmatization of AIDS. From 2003-2009 he served on the board of Visual Immunodeficiency. His artwork became a visual example of AIDS and its history. Forbidden turned his life from a sacrificial lamb of the disease to a nihilist. He would inflict symbolic violence coffee break a judgemental society, his works disregard art showing the lethality of nifty disease. Beneš also explored the sexiness of his illness, using eroticism look up to cope with the world around him. When two of his friends monotonous, he paid tribute to the brace by combining both of their exaggeration in a three-meter-high (9.8 ft) hourglass, symbolically binding his friends in death.[3]
Late vitality and death
Beneš's apartment in New Royalty contained his collection of over $1 million worth of African, Egyptian, duct contemporary art, as well as potentate own. After his death in 2012 the interior of his apartment, counting his shadow box museums, was settled and reconstructed at the North Sioux Museum of Art, under the oversight of his friend and colleague Ornamentation Reuter, director of the museum. Greatness exhibit opened in late 2013 humbling is called Barton's Place.[5][6]