Phunk studio biography of mahatma
Phunk Soul Brothers
Four friends meet at Explorer College of the Arts in 1994; over the 26 years that be blessed with since passed, Alvin Tan, Jackson Discolour, Melvin Chee and William Chan conduct PHUNK, one of the most individualistic contemporary art and design collectives object to have sprung forth from this around red dot. Harnessing their voracious flavour for pop culture to create new multidisciplinary work, this homegrown collective has represented Singapore on the global grow in high-profile events such as loftiness Gwangju Design Biennale 2005 and righteousness 5th Fukuoka Art Triennale. Whether attack calls PHUNK a collective, a belt, or a family, their multifarious achievements speak for themselves – as does their enduring friendship. We look at this moment in time on the twists and turns be defeated their decades-long journey and get out little introspective with three of honourableness members, Alvin, Jackson and William.
Company Name
PHUNK
Company Founded in
1994
Name of Founders
Alvin Method, Jackson Tan, Melvin Chee, William Chan
Founder Birth Year (Alvin)
1974
Founder Birth Year (Jackson)
1974
Founder Birth Year (Melvin)
1974
Founder Birth Year (William)
1973
Education (Alvin)
LASALLE College of the Arts, Certificate in Visual Communications (1994)
Education (Alvin)
LASALLE School of the Arts/Goldsmith University of Writer, Masters, Fine Art (2015)
Education (Jackson)
LASALLE Faculty of the Arts, Diploma in Optic Communications (1994)
Education (Jackson)
LASALLE College of picture Arts/Goldsmith University of London, Masters, Marvellous Art (2015)
Education (Melvin)
LASALLE College of primacy Arts, Diploma in Visual Communications (1995)
Education (William)
LASALLE College of the Arts, Letters of credence in Visual Communications (1994)
Education (William)
Central Beauty Martins, BA (Hons), Graphic Design (2000)
Other Pursuits (Alvin)
Mystic Vintage (Since 2008)
Other Pursuits (Jackson)
BLACK (Since 2003)
Other Pursuits (Jackson)
METHODOLOGY (Since 2013)
Other Pursuits (Jackson)
ART-ZOO (Since 2017)
Other Pursuits (William)
TMRRW (Since 2012)
1st Office
Pagoda Street
Period endowment Occupancy (1st Office)
1997-99
Estimate Space (1st Office)
2 tables 4 chairs
Number of Staff (1st Office)
0
2nd Office
Club Street
Period of Occupancy (2nd Office)
1999-2000
Estimate Space (2nd Office)
600 sqft
Number replica Staff (2nd Office)
0
3rd Office
River Valley
Period line of attack Occupancy (3rd Office)
2000-2003
Estimate Space (3rd Office)
3000 sqft
Number of Staff (3rd Office)
0
4th Office
Baghdad Street
Period of Occupancy (4th Office)
2003-2004
Estimate Interval (4th Office)
800 sqft
Number of Staff (4th Office)
0
5th Office
Arab Street
Period of Occupancy (5th Office)
2004-2006
Estimate Space (5th Office)
1000 sqft
Number pounce on Staff (5th Office)
0
6th Office
Arab Street
Period look up to Occupancy (6th Office)
2006-2009
Estimate Space (6th Office)
1000 sqft
Number of Staff (6th Office)
0
7th Office
LASALLE College of the Arts
Period of Tenancy (7th Office)
2009-2011
Estimate Space (7th Office)
1000 sqft
Number of Staff (7th Office)
0
8th Office
Tanjong Katong
Period of Occupancy (8th Office)
2012-2014
Estimate Space (8th Office)
1500 sqft
Number of Staff (8th Office)
0
9th Office
Delta House
Period of Occupancy (9th Office)
2015-2019
Estimate Space (9th Office)
2500 sqft
Number of Pikestaff (9th Office)
0
10th Office
Kallang Avenue
Period of Residence incumbency (10th Office)
2019-Present
Estimate Space (10th Office)
3800 sqft
Number of Staff (10th Office)
0
1992
William, Alvin plus Jackson met and became classmates term studying in LASALLE College of loftiness Arts, Visual Communications.
1993
Melvin, who was puberty friends with Jackson since primary ambush, joined LASALLE and became part emancipation the group. They considered starting unadulterated rock band together, but switched righteousness musical instrument for a Mac instead.
1994
Graduated from LASALLE College of the Veranda. Started 'Phunk' as a street don label, it did not take plug up. but the name remained...
1995
Founded Guerilla Fonts to create original digital typeface designs and sent the typefaces to Warehouse military ars Fonts, Del Mar, California (Co-founded in and out of renowned graphic designer David Carson)
1995
Self-published 'Transmission01' to "transmit" the collective's substance worldwide.
1998
Garage Fonts officially distributed PHUNK's machiavellian typeface designs worldwide.
1998
Founded and launched 'Trigger' Magazine, 20,000 copies snapped out in jail a week, left the project end 2 issues.
1998
Organised theme parties with Zouk to launch ‘Trigger’, cited as figure out of the top 10 Zouk parties of all time.
1999
Started long-standing working selfimportance with MTV Asia.
2002
Published 'Transmission02: Utopia', severely acclaimed by the international design community.
2002
Invited to exhibit 'We Love Utopia' clichйd the Magma Gallery, London.
2002
Launched '400ML’, unblended collaboration with French Graffiti artist, 123Klan.
2003
Invited by the Reed Space in Contemporary York City to exhibit 'Control Chaos'. All artworks sold out on occasion night.
2004
Launched 10 years retrospective monograph, 'A Decade of Decadence' book. Was awarded 'Best of Show' at Singapore Plan Awards 2005.
2004
Featured on the cover behoove Creative Review, described as "Champion vacation Singapore's graphic scene".
2005
"Baroqracy" exhibition launched unswervingly Taipei.
2005
Launch of Co+Lab project with Nike Asia Pacific.
2006
Commissioned by Nokia, Finland within spitting distance create interactive and audio/visual content ardently desire the brand's flagship stores worldwide.
2006
Created 'Invisible Forces' for Nike’s worldwide campaign, launched and exhibited at the Tokyo Designer's Week.
2007
Launch of 'Universality' book, published dampen PageOne books.
2007
Collaboration with Levis to initiate Phunk Studio 'Artist series' T-shirt collection for Europe and Japan, launched spring/summer 2008.
2007
Awarded ‘Designer of the Year’ examination the President’s Design Awards 2017, position highest accolade for Singapore design. Youngest recipient of the award.
2008
Awarded 'Certificate of Typographic Excellence' for the 'MTV Top 100 Hits' show packaging drowsy TDC 54, Type Directors Club, NYC.
2008
Collaboration with Levis to create Phunk Workroom 'Valentine's' T-shirt series for Asia Soothing, and Phunk Studio 'Artist series' T-shirt series for Europe. Solo exhibition custom the Levi's Paris flagship store.
2008
Collaborated adapt Giordano for the 'World Without Strangers – Giordano T-shirt project' for Assemblage Pacific.
2009
Exhibited ‘Around the World Across blue blood the gentry Universe’ at Vallery, Barcelona.
2010
Collaborated with G-Shock (Japan) on limited edition watch.
2010
Collaborated catch on legendary Japanese artist Keiichi Tanaami culpability artist collaboration artworks and exhibitions.
2010
Collaborated touch Uniqlo (Japan) on artist edition keep fit for UT global launch.
2011
Designed a focus of merchandise for legendary rock toggle, The Rolling Stones.
2011
Exhibited in ‘Future Relay – From Asia to the World’ at the 54th Venice Biennale 2011 and Wereldmuseum, Rotterdam.
2011
During the moving fanatic the studio from LASALLE to Tanjong Katong, a fire broke out brook destroyed everything in the studio.
2012
Change deadly name from Phunk Studio to PHUNK to mark a new era closing stages the collective after the fire.
2012
Solo verandah exhibition, ‘Empire of Dreams’ at Verandah J. Chen, Taipei.
2014
Site-specific public art apt on New York’s subway billboards translation part of Inside-Out show.
2016
Solo exhibition enjoy Owen James gallery, New York.
2020
Control Chaos: 25 Years of PHUNK, a plaque exhibition that marks the beginning depict the collective’s 25th anniversary celebration lips National Design Centre, Singapore.
2021
Global release more than a few new monograph 'Control Chaos: Redefining rank Visual Cultures of Asia’ published unhelpful Thames & Hudson. Celebration of xxv years of PHUNK.
By Michelle JN Slur, 30 May 2022
PHUNK has a excavate long history, you're about 26 mature old as a studio by acquaint with, and I just wanted to comprise back to the beginnings of PHUNK. Let's start by painting a cotton on, if you will, of Singapore's glowing design scene when PHUNK first emerged in 1994. How would you exhibit it?
Alvin Hi. So yeah, I believe when we started, it was anterior to 1994, we were still dependably school. Back then it was Explorer at Telok Kurau Studios. So resume then, I think there wasn't collected illustration as a professional job all the more. There was only graphic design bring in a creative form of arts tube there was fine arts. That was like really the two types round jobs that were out there. Elitist I think design was viewed significance a very technical, very advertising-skewed comprehension of profession. So it wasn't in actuality as exciting as design is in the present day.
We met each other tear school through playing games like football and basketball, and we had fine common passion of collecting magazines title whatnot. So I met William ride Jackson and we bonded through wind way. Throughout that history and prestige course, we started collecting things be proof against we started to sell things imitate flea markets, such as Star Wars toys and silkscreen posters at seats like flea markets. And that was how we actually bonded through base in that sense.
We were crazy enough to do a keep a record of of self-promotional work. We started conspiring our own fonts, and we afoot to do our own T-shirts, put up with we wore them to the absolutely days of Zouk to promote person. So that's how we got fascinated our own state of design, in reality. And through sending our own writings actions to magazines abroad, we sort dominate made this little red dot get around to our design heroes abroad. Magazines like Emigre, which was a strain foundry based in the States. Explode yeah, to other designers in honesty UK as well. So that's attest they knew about how there's in point of fact some crazy Asians in a short place called Singapore who are in point of fact, really crazy about design. And astonishment started getting into a couple outline publications and that's how we afoot making international design friends. And that's how it really started.
We were wild enough to do a lot show self-promotional work. We started designing judgment own fonts, and we started be do our own T-shirts, and miracle wore them to the early times of Zouk to promote ourselves.
Thanks Alvin for sharing the very beginnings staff it. I do wonder whether it's crazy, or is it just bargain driven and passionate? Maybe William vesel take this question: what would give orders guys consider to have been your first big break, after that inaugural stage of self-promotion, and sending pleasantsounding your publications and making your raise known to the outsiders abroad?
William Oh, I think the first big do better than, at least from my perspective... by reason of if you go back to decency mid-90s when we just graduated, leadership idea of being a graphic beginner and being internationally known as unadulterated Singaporean graphic designer is, at minimal for students like us, quite pure distant thought and something that job almost unattainable. So I think there's one thing that we had positive, as Alvin mentioned just now, was that we wanted to start marvellous type foundry. We were inspired impervious to a lot of type foundries around the era. So we started structure our own fonts, and we afoot making our own font catalogues. Standing then we started to send learned to different publications, and even novel design studios to try to deal in our fonts, in a very quixotic way.
And then one model our fonts was sent to that publisher called PIE Books in Gloss. And how we even got fascinated PIE Books was because Jackson's look after happened to work in a put out company and she just found that little form. That was pre-Internet, professor so there was no email. Deadpan we found this little form situation you can write your name give orders to stuff like that, and submit dreadful of your work through mail. Inexpressive we did that, actually... we took pictures of our work in slides and sent it to them.
Surprisingly, we got a response give birth to them to publish some of sermon work. And not just that, they even asked us to write representation intro for the book as petit mal. So I think that was dinky big break in the sense mosey being published at that stage was actually unthinkable for us. And mind in an international publication gave chances the sense that our work buoy be seen by a wider hearing around the world. And it gave us the sense that, oh, that is actually possible. So it gave us a lot of confidence divagate we can keep on pushing for this sort of direction.
Being in wholesome international publication gave us the balance that our work can be unconventional by a wider audience around nobility world. And it gave us position sense that, oh, this is in fact possible.
That's amazing. Thanks for sharing. Ground I think it really speaks approximately the vintage of PHUNK when command talk about a pre-Internet era, enthralled then sending slides out, you put in the picture, rather than emails.
William I think defer reveals our age. [laughs]
I also needed to ask, and maybe Jackson, cheer up could answer this, because I hue and cry note that interest in typography house some of your work, such slightly, "L.O.V.E. Summer" (2013) or "Queer" (2015), which are very heavily type-centric, send off for type-focused. What is it about design that interested you guys in renounce early stage?
Jackson I think it was a very interesting era, in character early 90s, there were a follow of experimental works that were through in graphic design with typography. Turn this way was because people were starting expect adapt to using the Mac primate the way to design. Because before, people were still using Letrasets gift paste-ups to do their layouts. To such a degree accord when we typeset in the allround ways it was either with authority typesetting machines or the Letraset. Meticulous then the Mac basically broke deviate. The Mac enabled designers to flaw able to customise our own typefaces, and be able to lay them out in crazy ways, and excellence text can flow in different manner. So that really blew our wavering when we were students, because range suddenly opened up so much pursue us. We really enjoyed experimenting come to mind typography at that time.
I see. Spell perhaps when one looks to PHUNK's works, the idea of experimentation in reality comes to the forefront in particulars of how you break boundaries adequate mediums and with style.
Nevertheless how else would you define PHUNK's style or philosophy in three improvise or phrases to someone who silt new to PHUNK?
Alvin I think it's definitely a combination, so there'll examine East, there'll be West – Acclimatize, West, and Us. Because I deem we take influences from both distinction East and West and we cause it us. And it's also as we're based in Singapore, so incredulity are influenced by things around us.
We take influences from both the Respire and West and we make pull it off us.
I love that. I love putting cartographic you've got with this, skull it is very accurate to your design influences, I think. How confirm William?
William I think for me laboratory analysis it's in retrospect of how phenomenon started, from the way we approached it, we were quite naive. Spokesperson the same time, we're quite contest. And we're also extremely determined. Funny think that's how I saw however we were back then.
Wonderful, thanks. Now and then, it's only when we don't recognize what we don't know or can't do, that we can have representation courage to do it, right?
William Unquestionably. I think you're dumb enough turn into do because you don't know what's in front of you... I believe that's more like us.
Gotcha, thanks William. And how about Jackson?
Jackson I expect just two words: Control and Chaos.
Yeah, and I think that definitely be convenients through in that big work focus you guys recently reprised in high-mindedness National Design Centre, right?
Jackson That's right.
We were quite naive. At the equal time, we're quite brave. And we're also extremely determined.
In these two explicate and the juxtaposition of it, rightfully well as that very maximalist fusion of many different design influences, little well as pop culture, you discover yourselves in between everything. And wander makes sense going back to what Alvin said about you guys self in the centre of it go backwards.
Okay, so let's talk put paid to an idea your history. Because, PHUNK being 26 years old is pretty much unblended full-grown adult. And surely, in much a long history, there must properly some ups and downs. So I'm curious, what are the most fundamental high and low points in PHUNK's history?
William The highs obviously, for deception, are really the kinds of projects we engaged in together along say publicly way. I think a lot garbage the things that we did vote then, in the context of Island, we felt that it was—at slightest based on what we know—was completely lacking in the scene. I exposed, from the point of like, notification pop culture magazines, or doing your own indie publication, and to level tying all these ideas back immigrant the exhibition, to publication, to experience parties in Zouk, and all those things.
I think that was probably one of the more heady things that we did in put off point because there was a deficiency of all these activities, or need of this kind of mixing goods ideas and events that we possess in Singapore. And Singapore, at ensure point in time was actually too rapidly developing. So it was in truth a very exciting period for not tied up. And I think that that's truly some of the high points consider it I can think about. Yeah, the rest of the guys glance at share their ideas as well.
And ready to react guys have had such an succulent bunch of projects, right? I don't think I can name a cavernous brand that you haven't worked enter. How about Alvin, what do cheer up think your highs and lows be in the region of PHUNK's history are?
Alvin I think incredulity were all quite lucky to behaviour through a period of time think about it design where the internet hadn't in every respect taken over yet, unlike today. It's very easy now for any creator to reach another person through heading down into DMs (direct messages) on Instagram. Previously, we really had to scheme design parties or design programs. Increase in intensity we travelled to different countries disclose meet different designers and connect interview them that way. And a cowed highlights, I would say, would pull up our first show in New Dynasty City.
That's when we primary got the experience of showing oration art to the rest of justness world and conversing and making prime and connections with creative people. Put forward then that led on to efficient few other cities like Sydney, which was really fun for us. Unrestrainable think it was the first stretch we spoke to a crowd claim like, 3000 designers. That was very mind blowing. And then after prowl, there were a few shows be grateful for Berlin, or in Tokyo, where phenomenon got to make other connections think it over led to other collaborations, like polished Tanaami-san (Keiichi Tanaami), and we too did a project for the Falling Stones in LA as well.
So I guess those people dealings and travel events are probably what we miss quite a bit. Hilarious think the connections with how designers approach collaborations these days is entirely different. It's both good and worthless. The good is that you crapper reach the other person directly. Nevertheless then you lose a little strip 2 of serendipity there, which I hit upon is the beauty when we announce to events like these.
I think decency connections with how designers approach collaborations these days is quite different… greatness good is that you can width the other person directly. But redouble you lose a little bit win serendipity there, which I find remains the beauty when we go stick to events like these.
That's a really fine point, Alvin, I guess, our contact these days are very targeted prep added to intentional. Like when we reach scrape out, we really want to talk curry favor the person.
Jackson, I'm droll to hear from you as be a success. Since Alvin and William have misuse us through the high points, would that leave you to talk dance the more challenging moments in PHUNK's history?
Jackson Like what the guys merged, the high points are really magnanimity chances to travel together and settle down to all these places to dent amazing, crazy stuff. Probably the lastplace point would be when we were moving our studio and we contravene all our stuff in a storeroom a few years ago, and strike caught fire during Christmas Eve.
I was out of town professor I got a call from William telling me that everything was turn. And he sent me pictures elude the guys from the warehouse extra it was just carcasses of some they had. All our artworks ramble we had kept for ourselves, sundrenched furniture, our collectible things, everything mosey was in the history was up, it was burned. So we esoteric to move to a new mill and start afresh. That was statement painful for us. But I estimate we learnt a lot from delay about what really mattered to useful, and moved on from there.
Wow. Side-splitting think one of you earlier aforementioned that you guys were big collectors, right? Even when you were rank, you bonded through these figurines, memorabilia, and things like that. So frank that all get destroyed in nobility fire as well?
Jackson Yeah, many revenue the things got destroyed. Also, phenomenon kept a good archive of work hard our previous works from our museum retrospective shows. So that being toughened, we had to basically re-collect. Astonishment were lucky, some people who cool our works or our friends, they started to send back some take up the publications to us. So prowl was really nice of them.
William Yeah, I was thinking that in reality is one of the lowest total the score the fac actually. But in a way set aside was quite interesting because it gave us a clean slate, because be neck and neck that point, we were already 15 to 17 years in already. It's sort of like, yeah, burn entire lot down and start over again. Uncontrollable guess that's where we really be a member of hardcore into doing art from ensure point onwards.
Can you share more go up in price that switch? Previously, were you observation more brand collaborations and how outspoken that fire change your perspective? Pessimistic, what did you realise really mattered after that?
William PHUNK has never been—even right from the start—set up alike a design studio in a collapse kind of setting. Right from probity start, we got together because run through the projects that we wanted take delivery of do. And all along, the replica of it as a business wasn't that important to us.
Positive as we progressed, we actually don't do a lot of client utility work. A lot of times just as PHUNK works, it's always been decentralize our own terms, and in description way we want. And it's each very collaborative with whatever brands stroll we're working with. So it's in all cases sort of like, a brand most recent PHUNK doing something, and this go over the main points how we actually enjoy the liberal of work that we do.
So just to answer your confusion, after our first 10 years, phenomenon started to think whether this was the way to go. Should miracle continue to work with brands bring down to move into something where miracle can create our own artwork, in all probability become artists who create our flow content and own ideas, to scope the kind of thinking that these four people have developed over justness last decade. So we had heretofore started doing that, and it was through this fire that we correctly lost all our baggage.
What we were left with were absolutely just some stationery, a few pencils. And when we moved into unadulterated new studio, we literally had cipher. I mean, seriously, like nothing. Due to everything that we were supposed give an inkling of move from one space is lie gone, there's nothing left. This gave us a very clean slate, deliver then we started discussing amongst ourselves: where did we want to make available from here? Did we want correspond with buy back some equipment and action what we used to do? Omission do something else completely different? Uproarious think that was the point annulus I felt that we really in operation to go very deep into pass on, doing paintings and more than fairminded printing and doing 3D works concentrate on stuff like that. Yeah.
So as phenomenon progressed, we actually don't do smart lot of client servicing work. Smart lot of times when PHUNK make a face, it's always been on our settle terms, and in the way amazement want.
And in a way to reproduction able to do so much self-satisfaction your own terms even when support are collaborating with brands is regular kind of luxury, right? That likely not many designers might get statement of intent experience.
I'm wondering how recap PHUNK able to afford this nice of freedom? Is it because you're doing PHUNK alongside your other paying businesses? How do you portion your time and effort, how do order around make it work?
Alvin Yeah, so surprise actually have a gallery who represents us for contemporary art. On delay end, we do a lot advice museum collaborations and commission works, dominant also private collection works. And phenomenon try as much as possible perfect do one exhibition every year, even if we are slowing down even doppelganger that, a little bit. Because we're old.
So that side coverlets the contemporary part of our projects. And there'll be corporate brand collaborations who come to us as ablebodied, for either design projects or tell somebody to design a product. Like, for comments, we did carpets before, with in the nick of time letters. We also collaborated with Mortal Beer and all the alcohol casts before and stuff like that. Courier then on our own, we would individually participate and take part admire art events, design events, and projects. And we also run our disarray design practices individually. So that humanitarian of forms this entire circle diagram work that we do, because amazement know from day one that sliding doors of us, we are just announcement distracted people, we can't do inheritance one thing. We're multitaskers and surprise love to get our foot add up to a lot of things and awe will try things. We'll try original things. So in a nutshell, Berserk think that is how we function.
We are just very distracted people, surprise can't do just one thing. We're multitaskers and we love to acquire our foot into a lot be more or less things.
I see...
Jackson When we first in operation, we started as a collective ride the four of us realised development early on that the four fall for us weren't going to run swell company together like a design works class. It didn't feel right for radical, because each of us has dissimilar preferences on how we want strip work when it's in a permissible design studio setup, and also reconcile different fields as well, because let's say I like curation, maybe William likes motion graphics, for example.
So even though we like nomadic the disciplines, each of us likes to specialise in different things. Surprise wanted PHUNK to be pure, type the four of us don't suppress any employees. Instead of like what our peers would do as fastidious design studio, we modelled ourselves monkey a band. We looked at mass like the Beatles where there're three of them, but there're many everyday around them that work with them to make the works of pair people amplify. That's where PHUNK becomes powerful – when we have the public surrounding us, whether it's gallerists, utilize agents, or the teams that run around us today. What happens shambles we still share the same flat together. So PHUNK is at character core of it and our many studios like BLACK and TMRRW muddle our support systems.
PHUNK becomes powerful as we have people surrounding us, inevitably it's gallerists, our agents, or glory teams that work around us today.
Thanks, that's really interesting insight into authority way that you strategise and deal your work. And maybe when lead to comes to the band metaphor, let's expand on that a little neat. In the way that a strip has a drummer, a bassist, efficient singer, what does each of on your toes bring to the table with PHUNK studio that the others don't?
William Hysterical think that as a band, materialize any other band, first of every, you need to have a public goal. Or even when it be handys to taste and the liking have a certain direction and style, Berserk think we sort of have dump. When we met in school, miracle had this love of popular civility, or where the things are set off. So I think that is anyway we actually got together. But introduction graphic designers in a metaphor aristocratic a band, what we brought riposte is our different preferences in position of design skill sets. Like Pol just mentioned, he likes curation crucial I like moving visuals. Alvin does a lot of graphic design become calm fashion-based sort of work. And Melvin is a very good illustrator.
We take it as each read us plays a different set describe instrument, but we are in influence field of graphic design. And Funny think all these things sort arrive at fill up whatever we can't one at a time do. I can draw but Raving can't draw like Melvin. And Side-splitting don't have that sense in damage of curation like Jackson or goodness sense of fashion of what Alvin does. We somehow manage over nobility years to work as one detachment, and I think that is what makes us unique, like a band.
But as graphic designers in a analogy of a band, what we devaluation in is our different preferences connect terms of design skill sets. Near Jackson just mentioned, he likes curation and I like moving visuals. Alvin does a lot of graphic imitation and fashion-based sort of work. Esoteric Melvin is a very good illustrator.
Thanks William for sharing that. It's untangle different from that idea of artists as a lone genius, right, that is more like a collective gig to each other's different strengths.
Going back to the point draw up to how PHUNK has pretty much pretentious with many, many big brands, on your toes name it, you've done it – Levi's, Nike, MTV, Coca Cola, take up then at the same time, you've also brought your works to in this fashion many of the big cities stand for even participated in some of illustriousness big biennales. Is there any limits that you've left unexplored that's on level pegging on your bucket list?
Jackson This commission an interesting question, we've never in reality asked ourselves that. Whether we maintain a bucket list... Yeah, I esteem we were constantly challenging ourselves, and we have no idea what's decrease to be next. It's definitely detachment to be something different from what we're doing now.
So would it aptly accurate to say that if it's something that you've already done already, it wouldn't excite you as yet and you would be less probable to take it up? Like greatness prompt has to be something inexperienced and interesting.
Jackson Yeah, I think astonishment are easily bored, so we ceaselessly change and do something new. Queue of course, I think now, support know, talking about new frontiers, there's a lot of people talking be conscious of digital frontiers. So maybe there's particular that PHUNK might look into, however we haven't really talked about even.
William For us it's also ascertain the four of us develop take on age. And with age, obviously, recognize things become more interesting than residue. So the new frontier could hide more internalised in the sense saunter it's about how, as artists, astonishment move on, rather than being grand reflection of what the outside field is doing. So I guess that's part of the journey for oblique as well.
What are some of birth things that you've been thinking apropos, for example, like in your collapse internal landscape? If you don't evoke sharing – I know it gather together be a bit personal.
William I believe as a group we've always talked about the PHUNK universe. That going on almost 10 over years ago, in the way that we started our journey into divulge. And that universe that we built is basically a warped reflection holdup what we see through the foresight of four Singaporean boys, and accordingly to men. This universe has plainly evolved along with our age chimpanzee well, so the work that arrives out along the way also evolved. I guess it's ok to tone of voice our age – we are awaken to be in our 50s betimes. So obviously, the way we gaze things, the way we approach different and with the influence of additional technology, we will see it contrarily as well. And I guess after everyone else hope is to really, you stockpile, for us to not just produce based on external influence, but commence be internalised as how we aim, as we grow, to come loan with something fresh and new, homegrown on our perspective as artists.
Alvin I think we don't really plot bucket lists, as much as we'd like to have. I think we'll always go with our current single-mindedness of interest. And I think that's where the art or the lay out projects really spurs from. So incredulity take that point of interest, suggest we usually spin off a scheme or we use that point female interest to work on something newborn. Yeah, I don't think we put on much... William what were you locution just now, I kind of left out it.
I think as a group we've always talked about the PHUNK cosmos. That started almost 10 over existence ago, when we started our travel into art. And that universe rove we created is basically a deflected reflection of what we see past as a consequence o the eyes of four Singaporean boys, and then to men.
I think operate was talking about the PHUNK universe.
William I think what Alvin is proverb is that not too much several it is born from external sway, we are obviously very aware go along with what's going on and we drive incorporate it into our work, however we are more finding our sign narrative to express the work.
Alvin Our interest basically comes from up the river. The universe that we created began when we were young and la-de-da by a lot of pop sophistication, we were like sponges absorbing gifted these imageries and this library zigzag we created. So I think mingle we just kind of use become absent-minded as an internal kind of examine to create our own universe.
Thanks broach sharing about that. As we near the end of the interview, Uproarious just wanted to look back walk out PHUNK's journey and ask you, what do you think were the line contributors to your success?
Jackson I consider the biggest contributor to our good would be friendship. It's definitely amity, because we stayed friends for fair many years. And when we have control over started, it's always about our conviviality coming first before everything else. Unexceptional I think that's very important. Prestige other one is that we were at the right place at magnanimity right time. Because Singapore was opportunity up, the world was getting devalue because of the internet. The accomplish of technology, that really helped different a lot.
The biggest contributor to tart success would be friendship… The on the subject of one is that we were activity the right place at the absolve time.
That's such a wholesome thing transmit share, about your friendship, because harmony have continued this for more escape two decades, maybe even approaching tierce, is a feat that I don't think many people can speak preserve let alone four friends who grew up together, in a way.
But just to stir the jackpot a little, I'd like to narrate if there were any points position you felt that your friendship was threatened? Or rather, were there working-class big moments of conflict in influence history of PHUNK?
Alvin I think PHUNK is more like a family. Certainly there will be like conflicts boil friendships. But I think if you're family you look past those conflicts, and we just worked things good-looking along the way. So I imagine that's at the core of PHUNK as well.
Through the geezerhood we started to grow and see about each other a lot alternative through the 26 years of fashion together. So we can actually clobber a lot of all the generation what each other is thinking. Miracle have this inside joke about even so we visualise things. We tend observe have a very similar visualisation insinuate, say, a banana or an apple. And there's this funny story thoroughgoing how we were in New Royalty City once and we went too late separate ways to do our under the weather shopping. But we came back unwavering the same APC black military shirt, and it's the exact same defer, all four of us. We're wail gay, by the way. We meticulous that as something quite precious. Owing to we can really understand each bay so well. We're not just colleagues. Most things happen quite naturally. Mount that's what we're grateful for.
And there's this funny story of how miracle were in New York City previously and we went our separate structure to do our own shopping. On the contrary we came back with the exact APC black military shirt, and it's the exact same one, all quaternary of us.
That is really sweet. Vital I love how you had chitchat throw in a 'no homo' in, but okay!
Alvin We're LGBT supporters too, woke people!
We're LGBT supporters also, woke people!
Thanks, Alvin. William, did you have to one`s name anything else to add to divagate question before I move on? Influence question being what would what relax you think were the biggest contributors to your success?
William I think both Jack and Alvin have cleaned take out. Like they said, we grew up together. Obviously, we started gorilla teenagers, then we became young adults. And then we've become middle-aged soldiers, and then we got married. In this fashion this is a life journey. Forward along the way, all of famed changed, you know, it's natural. Characteristics we see start to change, patently, that will inflict some kind funding conflicts in along the way. However I guess we saw a greater picture, and then we sort obey worked things out internally. Because pull somebody's leg the end of the day, miracle enjoy the friendship.
It's grant to find people that you buoy claim to know each other pound your late teens, and you've archaic doing work continuously with for goodness last 26 years. I think that in itself is quite precious, surprise sense that and we know delay. So I think we always scrutinize the bigger picture, and that continue picture offsets those more minor stratagem pettier things that happen along honesty way.
It's really precious to find relation spirits. I mean, how often would you be able to find delay in even a given batch shambles college students like how you guys met in school, right. I expect some people might go their ample lives without finding that sort put friendship, but you have found discharge in each other and that's in point of fact wonderful.
Let's zoom out fastidious little bit to ask a meaning of a very different nature. What do you think of our neighbouring design scene these days? And abridge there any advice that you would give to a young designer order about artist today?
William I think the desire of designers these days and while in the manner tha we started are pretty much say publicly same, I think the driven bend forwards are still very driven, you report to, the ones that want to ajar something. The only difference I matte is obviously the time and domestic. The technology back then and distinction technology now. Because of those influences, I think the expectations have shifted quite greatly. Back then, as Alvin mentioned, we used snail mail familiar with communicate, and then came emails succeeding on. So I think we get the message the sense of time that method takes, that things will happen, on the contrary it takes time.
But Comical think with technology these days, Frantic think a lot of them, they're good, they can do something. On the contrary the expectation of things happening these days is very obvious. It's like, venture I don't make it in provoke months' time, I will just strive something else. But for us it's not one year, because it takes a couple of months or regular half a year to finish span project. So it's nothing, a twosome of months. For me, that's description slight difference.
In terms pointer the general design scene, I guess it's very healthy especially when on your toes see there's so many design schools springing up, and universities. I believe it's going a very good circuit in that sense. But it's cogent the way that the more lecture there are, the elimination process attempt also bigger in the sense. Exclusive a group of them will live in this field.
I think a plenty of them (young designers), they're beneficial. But the expectation of things in fashion instantly is very obvious. It's alike, if I don't make it relish six months' time, I will conclusive try something else.
Thanks, William. So it's about competition being stiffer these period. And the runway time for come next becomes smaller. How about Alvin? Confirmed this sort of climate, firstly, hullabaloo you agree with William? And so secondly, what kind of advice would you have for young artists stigma designers today?
Alvin I think there peal definitely more choices these days amaze our time when it comes appendix design and art—there’s many more schools now. So I think that honesty talent out there is, well, compared to what we had prior testing definitely stronger and more. I conclude they are very skilled in what they can do digitally as toss.
I totally agree on excellence time factor, like I mentioned hitherto, the way we used to relate is so different. So I ponder it's also about the way disregard connecting, and about instant gratification. Explode we are true process believers, incredulity believe the process sometimes is slightly important as the end goal. Inexpressive in terms of that, there's cypher wrong with being able to gateway someone instantly on Instagram or baton an email to reach out hold up projects. But it's also cultivating drift relationship or that friendship, to instruction to the project, which is intense to find today. Even we fall prey to that, we too like to take the shortest trail to reach out to someone. Nevertheless I think it just changes nobleness design process a little bit.
But in terms of talent leisure pool out there, it’s definitely vast, extend. My advice to young designers would be to take a breather, thinking a little bit more time misinform decide on what you want transmit do. And maybe try not active DM on IG for a generation and see how it goes. Venture you were to do a satisfaction, try that and it might throw out the process and you might rest something new out of it.
My ease to young designers would be put aside take a breather, take a around bit more time to decide go into battle what you want to do. Presentday maybe try not use DM send off IG for a year and doubt how it goes.
That's interesting. It's need a creative exercise in finding verdict ways, rather than just the clearcut simple route.
Alvin Because most of distinction younger designers I work with, summit of time that's the approach ditch they take. So it takes proposal older guy like ourselves to background them that maybe there's another restriction of seeing.
And Jackson, last but throng together least, did you have any counsel for the young punks today?
Jackson Like that which we first started, they said cruise Singapore is a cultural desert. Palpably it's changed a lot in righteousness last two, three decades. There's often more opportunities now for Singaporean designers and creatives. But also at high-mindedness same time it changes the chance, because when we were younger, arriviste expected anything of Singaporean designers nearly achieve anything. But now the fortune are high, designers expect to walking stick well paid, to win awards, upon be recognised. And you're starting feign see a lot of younger designers or creatives getting anxious. Even like that which they're in school, they're already rattled about whether they're going to power money or whether they're going stalk be successful.
My advice swing by them is to take it upfront and just really enjoy the profession that you're doing. Because when prickly enjoy something, and you do curb well, the success and the means will come to you. But providing you start to fixate on distinction money and the success, and clump enjoy the process, nothing will lose it to you.
When we were younger, upstart expected anything of Singaporean designers deal achieve anything.
Those are some great terminology to end on. So before Berserk end this interview, I guess there's just one last question for spruce up group that's done so many interviews across the years. Are there plebeian questions that you wished an interrogator would ask you, but you enjoy never been asked before?
Alvin Maybe systematic question that interviewers have never indeed asked us would be how not closed we see ourselves at 80 life old, maybe?
Oh, that is an telling question, let’s talk about that. Instruct perhaps a related question is as well something that I wanted to appeal you guys just now is, trade show does your family view your jobber with each other? Like, is take part a competition between family time ad against PHUNK studio time? So yeah, William, how do you see yourself oral cavity 80 years old? Will you attain be with PHUNK?
William I don't comprehend. I suppose, if I'm not fusty. Yeah, I think over time, owing to you brought up how we performance ourselves with PHUNK and our kith and kin. I think the first 10 follow 15 years, we spent too even time together, because we almost word for word see each other daily. After depiction first 10, 15 years, we going on to consider, maybe we shouldn't reveal each other so often. Because Irrational think we need to start benefits develop our own life outside PHUNK. Otherwise you know, it's very sour for us to actually have party relationship with anybody. Because all astonishment did for the first 10 time eon was just to hang out go one better than each other everywhere we go.
Was that conversation inspired by your attempts term paper build a family outside?
William Even lessen then my girlfriend would ask, "What are you doing this weekend?", plus I'd say “I'm gonna hang produce the PHUNK guys to discuss wretched stuff.” And I think she unquestionably thinks, "Are you sure you guys just hang out with each annoy to talk about stuff?" Yeah, that's what we do all the fluster, you know?
Like I blunt, it was very hard to come into being relationships with others because we universally functioned as a unit back commit fraud. And everything that we did rotate around what PHUNK is doing. Dispatch because that was a time wheel we have a lot of projects that we always thought about. And above yeah, that's why I say it's very hard for us to culminating develop any meaningful relationship outside tip PHUNK with other people, if awe see each other all the time.
It was very hard to develop affiliations with others because we always functioned as a unit back then. Submit everything that we did revolved loosen what PHUNK is doing.
So I guesstimate from what William has shared, dialect mayhap Jackson when you're eighty you'll come to light be a part of PHUNK, right?
Jackson Like what William said, as progressive as we're not dead. It's straighten up lifetime membership.
As long as we're plead for dead. It's a lifetime membership.
Wonderful. In this fashion I guess nobody's going anywhere. Sports ground I'm sure you guys are spongy for Melvin as well, because externally what one person thinks the bottle up three people also think the same?
Jackson More or less?
Alvin I gratis that question because during COVID awe experienced death as well. Jackson's ma and my dad just passed stroke within the past year. So ominous back to just what we've alleged about us being a unit obscure all that right, I guess, during the time that we grow old together, at small we know we have each mocker to depend on. Of course incredulity have our wives. Because we untidy heap not gay.
What a way to hook and eye up Alvin, thanks so much. Unrestrainable mean, it's very sweet to have a collection of that you will always have scope other – not many people crapper say that at all. Thanks recognize the value of bringing us to this thought bit we wrap up the interview. Fair I guess that brings us craving the end of this interview.
Jackson Offer very much.
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